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      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1410750716560-7L10E8ZXXBDPUHSJLC2L/marblemirror.png</image:loc>
      <image:title>Stealing the Fire - The Symbolic System (Copy)</image:title>
      <image:caption>The Symbolic System Bill Harby arranged three groups of marble rocks and a single head stone, all with mirrors on one aspect of the massive stones. I interpret them as illustrating the three acts structure of the Conflict Resolution Process culminating to the single stone as the resolution. The mirrors symbolize the self-reflexiveness of the creative process. I call this sculpture Genesis, and its Greek equivalent, the Teleion Holon Greek for the Perfect Universe.</image:caption>
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      <image:title>Stealing the Fire - STRESS: MATRIARCHY IN MEXICO  (Copy)</image:title>
      <image:caption>STRESS: MATRIARCHY IN MEXICO Quatlique  is an unapproachable monster: Her hands have the talons of an eagle. She wears a necklace of severed hands, hearts, and skulls. Her skirt is woven with snakes. Her feet are talons. She requires life sacrifices to postpone the impending fifth destruction of the universe as predicted in the Aztec Calendar.</image:caption>
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      <image:title>Stealing the Fire - The Sphynx, Response: The Discovery of Mastery.  (Copy)</image:title>
      <image:caption>The Sphynx, Response: The Discovery of Mastery. The Homeric Epics, the Iliad and the Odyssey, present patriarchy domesticating matriarchy’s powerful women. Greece discovered mastery of men over women as the way of resolving domestic conflicts. Helen of Troy, presented as a Sphinx, ‘The fight and flight woman’, the woman who does not resolve conflicts, was a matriarch, who had ten lovers. Greek men confronted her and demanded that she choose one among them. She chose Menelaus of Sparta. But then she flew the coop with Paris of Troy. The Iliad is about 1000 ships of Greek men fighting a war to capture Helen of Troy, the run-away wife. The Odyssey is about a man fighting single handedly the power of women. Characteristically he had his sailors bind him on the mast of their boat, so he can listen to the sirens without yielding to temptation, their music and their magic.</image:caption>
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      <image:title>Stealing the Fire - Response: THE DISCOVERY OF MASTERY (Copy)</image:title>
      <image:caption>Response: THE DISCOVERY OF MASTERY Penelope is the heroine of the second Homeric Epic, the Odyssey because she resisted the advances of multiple suitors. The Greek family as portrayed on Olympus was conflicted as men like Zeus pursued women, which upset his wife Hera. Greek tragedies have as titles the names of women.</image:caption>
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      <image:title>Stealing the Fire - ANXIETY: THE DISCOVERY OF COOPERATION BETWEEN MEN AND WOMEN, BY MEN CONTROLLING DESIRES.  (Copy)</image:title>
      <image:caption>ANXIETY: THE DISCOVERY OF COOPERATION BETWEEN MEN AND WOMEN, BY MEN CONTROLLING DESIRES. The Upanishads present the Moon Goddess, the sacred cows, Kali, as powerful women commanding respect and awe. Shiva is portrayed stepping on a demon, his inner child, the one that gets us in trouble with selfish desires; this image defines cooperation, the second principle of conflict resolution. Man has become a cog on the wheel of fortune instead of being the total wheel as he was in Greece.</image:caption>
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      <image:title>Stealing the Fire - ANXIETY: THE DISCOVERY OF COOPERATION BETWEEN MEN AND WOMEN, BY MEN CONTROLLING DESIRES.  (Copy)</image:title>
      <image:caption>ANXIETY: THE DISCOVERY OF COOPERATION BETWEEN MEN AND WOMEN, BY MEN CONTROLLING DESIRES. The Upanishads present the Moon Goddess, the sacred cows, Kali, as powerful women commanding respect and awe. Shiva is portrayed stepping on a demon, his inner child, the one that gets us in trouble with selfish desires; this image defines cooperation, the second principle of conflict resolution. Man has become a cog on the wheel of fortune instead of being the total wheel as he was in Greece.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1410552208958-OZTJHIJYC7JZ60RNZ4BX/india_1.png</image:loc>
      <image:title>Stealing the Fire - ANXIETY: THE DISCOVERY OF COOPERATION BETWEEN MEN AND WOMEN, BY MEN CONTROLLING DESIRES.  (Copy)</image:title>
      <image:caption>ANXIETY: THE DISCOVERY OF COOPERATION BETWEEN MEN AND WOMEN, BY MEN CONTROLLING DESIRES. Anxiety is the phase of a powerful six armed woman, Kali, portrayed by three huge wheels, the moon waxing and waning.</image:caption>
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      <image:title>Stealing the Fire - ANXIETY:  BUDDHISM PRESENTS THE  MOON GODDESS THE SACRED COWS, KALI AS POWERFUL WOMEN COMMANDING RESPECT AND AWE. (Copy)</image:title>
      <image:caption>ANXIETY: BUDDHISM PRESENTS THE MOON GODDESS THE SACRED COWS, KALI AS POWERFUL WOMEN COMMANDING RESPECT AND AWE. Buddhism is the religion of cooperation. Its four noble truths are: Life is pain, desire increases pain; cessation of desire ends pain; to avoid desire follow the eightfold path of enlightenment, as meditation and moderation.  </image:caption>
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      <image:title>Stealing the Fire - DEFENSE: ANXIETY IS COUNTERED BY ACTION AS A ROLE REVERSAL BETWEEN MEN AND WOMEN IN A COOPERATIVE CULTURE.   (Copy)</image:title>
      <image:caption>DEFENSE: ANXIETY IS COUNTERED BY ACTION AS A ROLE REVERSAL BETWEEN MEN AND WOMEN IN A COOPERATIVE CULTURE. Defense is presented as men emerging to power, while women are portrayed as loosing it in the cultures of China and Japan. Men grew to become fire breathing dragons and Sun-gods. Women are disabled in their mobility in China, while in Japan, they were given roles of subservience to men as diminutive compliant geishas.</image:caption>
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      <image:title>Stealing the Fire - DEFENSE: ANXIETY IS COUNTERED BY ACTION AS A ROLE REVERSAL BETWEEN MEN AND WOMEN IN A COOPERATIVE CULTURE.   (Copy)</image:title>
      <image:caption>DEFENSE: ANXIETY IS COUNTERED BY ACTION AS A ROLE REVERSAL BETWEEN MEN AND WOMEN IN A COOPERATIVE CULTURE. Defense is presented as men emerging to power, while women are portrayed as loosing it in the cultures of China and Japan. Men grew to become fire breathing dragons and Sun-gods. Women are disabled in their mobility in China, while in Japan, they were given roles of subservience to men as diminutive compliant geishas.</image:caption>
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      <image:title>Stealing the Fire - Reversal: The Gilgamish Epic presents mutual respect, Gilgamesh finding friendship with a father figure, Enkidu, the mythical superman.  (Copy)</image:title>
      <image:caption>Reversal: The Gilgamish Epic presents mutual respect, Gilgamesh finding friendship with a father figure, Enkidu, the mythical superman. Mesopotamia presents the failed quest for the third principle of conflict resolution, mutual respect.</image:caption>
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      <image:title>Stealing the Fire - COMPROMISE: The distrust of seductresses inspire Adam and Eve.  (Copy)</image:title>
      <image:caption>COMPROMISE: The distrust of seductresses inspire Adam and Eve. The Enkidu Gilgamish relationship inspired the biblical Father Son Covenant, a relationship of mutual respect between fathers and sons, an alliance that diminished women’s political power. Men could have more than one wife. Abraham continued Gilgamish’s battle reducing women’s power by taking a hammer against his father’s beautiful sculptures considering them as pagan idols in conflict with reverence of the One God.  Abraham focused on the new order, the process, Genesis the creation story, symbolized by a wheel, the periodic or cyclic phenomenon of the creation. This process has the characteristics of the creative process, the act of divine intervention.</image:caption>
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      <image:title>Stealing the Fire - COMPROMISE: The distrust of seductresses inspire Adam and Eve.  (Copy)</image:title>
      <image:caption>COMPROMISE: The distrust of seductresses inspire Adam and Eve. The Abrahamic women were happy in their compliance but they could fight for their rights. Hagar escaped the threat of immolation with Ishmael in the desert. She is the woman as a Camel and her son, hostile to his sibling, while Sarah deferred to Abraham, a choice that killed her; while Abraham was in the process of staging the ultimate sacrifice, Sarah passed away.</image:caption>
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      <image:title>Stealing the Fire - COMPROMISE: The distrust of seductresses inspire Adam and Eve.  (Copy)</image:title>
      <image:caption>COMPROMISE: The distrust of seductresses inspire Adam and Eve. Naomi is the free woman that obeys Ruth, her mother in law, telling her ‘I will go wherever you go.’ Ruth is the caring mother who gives permission to her daughter in law to find a new husband.</image:caption>
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      <image:title>Stealing the Fire - COMPROMISE: The distrust of seductresses inspire Adam and Eve.  (Copy)</image:title>
      <image:caption>COMPROMISE: The distrust of seductresses inspire Adam and Eve. Virgin Mary sacrificed her sexuality and her son for the love of God. This Messianic woman is an angel compared to Quatlique, the monster woman, who in the beginning of the trail seeks human live sacrifices. The cycle of the epics of the Goddess completes the transformation of conflicts between men and women as women surrender the power over their sexuality, and over their children, sacrificing their political role in that society.</image:caption>
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      <image:title>Stealing the Fire - COMPROMISE: The distrust of seductresses inspire Adam and Eve.  (Copy)</image:title>
      <image:caption>COMPROMISE: The distrust of seductresses inspire Adam and Eve. Virgin Mary sacrificed her sexuality and her son for the love of God. This Messianic woman is an angel compared to Quatlique, the monster woman, who in the beginning of the trail seeks human live sacrifices. The cycle of the epics of the Goddess completes the transformation of conflicts between men and women as women surrender the power over their sexuality, and over their children, sacrificing their political role in that society.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400626121649-H3JGE9HCAZNGWYLPBJAI/wilburton_146.jpg</image:loc>
      <image:title>Stealing the Fire</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1410559433977-SKPQS82Y69ZK70PCXMTU/barmitsvah.png</image:loc>
      <image:title>Stealing the Fire - STRESS: Biblical Morality (Copy)</image:title>
      <image:caption>STRESS: Biblical Morality SLOW represents the bar mitzvah child and his mother in a burka, ‘the lady of the nipples or chicken soup is ready’ surrendering control over her son asking him to respect his father.</image:caption>
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      <image:title>Stealing the Fire - RESPONSE:  THE JUDAIC DISCOVERY OF MUTUAL RESPCT BETWEEN FATHER AND  SON. (Copy)</image:title>
      <image:caption>RESPONSE: THE JUDAIC DISCOVERY OF MUTUAL RESPCT BETWEEN FATHER AND SON. Created by Judith Brown and exhibited in 1984 at the Lincoln Center, it is interpreted as illustrating the Abrahamic Family; three patriarchs, 18 feet tall and four matriarchs, 4 feet tall, plus two Horus birds, the concubines, the chicks with beaks to peck on the wives. It represents men discovering mutual respect among themselves but sanctifying an inequity, the discrepancies in number and size between men and women.</image:caption>
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      <image:title>Stealing the Fire - RESPONSE:  THE JUDAIC DISCOVERY OF MUTUAL RESPCT BETWEEN FATHER AND  SON. (Copy)</image:title>
      <image:caption>RESPONSE: THE JUDAIC DISCOVERY OF MUTUAL RESPCT BETWEEN FATHER AND SON. The pile of wood represents the altar for the sacrifice of Isaac, as Abraham’s test of his wives’ and his sons’ love. It is my assumption that Abraham responded to Hagar’s and Sarah’s advocacy for their sons, by asking them: Which mother is willing to let me sacrifice her son to the one God? He was challenging his two wives’ attitudes towards his executive authority. He like Solomon, was seeking to identify which woman has the right attitude, respecting his authority of a father. My assumption is that Hagar refused and left Abraham to go to the desert with her son, while Sarah dedicated her son to the care of his father, but promptly died of grief while her son Isaac was supposedly being sacrificed. The Bar Mitzvah ritual corresponds to the father son bond.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400626147411-O2U7R98XNQXN4TVK62Y6/wilburton_152.jpg</image:loc>
      <image:title>Stealing the Fire - Anxiety: THE TEN COMMANDMENTS AND THE DISCIPLINE OF NORMS (Copy)</image:title>
      <image:caption>Anxiety: THE TEN COMMANDMENTS AND THE DISCIPLINE OF NORMS Anxiety is portrayed in the flat sculpture of Moses’ His spiked porcupine back, is hair standing up like antennas to hear God’s voice, is moving swiftly in the desert creating the Ten Commandments.</image:caption>
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      <image:title>Stealing the Fire - Defense: Love without women (Copy)</image:title>
      <image:caption>Defense: Love without women The Bride and the Groom, is a metaphor for the loving relationship between the book, the Torah, and the people of the book. The tall figure, the groom, is a rabbi. He has a big nose, a scroll on his shoulder; his hand is pointing to Jerusalem. The smaller sculpture, the bride, resembles a book. The book inspires, while it warns about the power of women as a distraction. Women were less important than the word of God.</image:caption>
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      <image:title>Stealing the Fire - REVERSAL: Messianic Religion and Women's Revolution   (Copy)</image:title>
      <image:caption>REVERSAL: Messianic Religion and Women's Revolution Reversal, women’s revolution in Virtual Jerusalem In the center is a gathering place of men talking about the law. Peripherally, on the ramparts of Jerusalem, are women protesting.  The sculptures represent the uprising of women in Hellenized Jerusalem. The Greco Roman influence undermined the traditional Judaic role of women leading to their rebellion, requesting rights for themselves. One sculpture of a woman features a banner “Girls are as good as boys”.  Another woman with a child thinks, “God is not with the father and the son, but with the mother and the child” The messianic religion changed the balance of power in the family relations pitting Judaism as the Father Son vs. messianic Mother and Child relationships.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400627019746-OLADJUND1WDQWQ46GXT5/wilburton_219.jpg</image:loc>
      <image:title>Stealing the Fire - REVERSAL: Messianic Religion and Women's Revolution   (Copy)</image:title>
      <image:caption>REVERSAL: Messianic Religion and Women's Revolution Reversal, women’s revolution in Virtual Jerusalem In the center is a gathering place of men talking about the law. Peripherally, on the ramparts of Jerusalem, are women protesting. The sculptures represent the uprising of women in Hellenized Jerusalem. The Greco Roman influence undermined the traditional Judaic role of women leading to their rebellion, requesting rights for themselves. One sculpture of a woman features a banner “Girls are as good as boys”.  Another woman with a child thinks, “God is not with the father and the son, but with the mother and the child” The messianic religion changed the balance of power in the family relations pitting Judaism as the Father Son vs. messianic Mother and Child relationships.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400626972796-JPBGI8X8DHZECXV7D3D7/wilburton_221.jpg</image:loc>
      <image:title>Stealing the Fire - REVERSAL: Messianic Religion and Women's Revolution   (Copy)</image:title>
      <image:caption>REVERSAL: Messianic Religion and Women's Revolution Reversal, women’s revolution in Virtual Jerusalem In the center is a gathering place of men talking about the law. Peripherally, on the ramparts of Jerusalem, are women protesting. The sculptures represent the uprising of women in Hellenized Jerusalem. The Greco Roman influence undermined the traditional Judaic role of women leading to their rebellion, requesting rights for themselves. One sculpture of a woman features a banner “Girls are as good as boys”.  Another woman with a child thinks, “God is not with the father and the son, but with the mother and the child” The messianic religion changed the balance of power in the family relations pitting Judaism as the Father Son vs. messianic Mother and Child relationships.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400626946939-NZXM9007PGI0JP7T60CZ/wilburton_223.jpg</image:loc>
      <image:title>Stealing the Fire - Compromise: Birds of Paradise  (Copy)</image:title>
      <image:caption>Compromise: Birds of Paradise Compromise, THE DISCOVERY OF MUTUAL RESPECT IN THE MAN, WOMAN, AND CHILD RELATIONSHIP, completes the unfinished business of the monotheistic religions; it reconciles the three scriptures by introducing the formal operation of mutual respect in the relationship between men and women.</image:caption>
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      <image:title>Stealing the Fire</image:title>
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      <image:title>Stealing the Fire - Compromise: Pegasus and the Labrynth (Copy)</image:title>
      <image:caption>Compromise: Pegasus and the Labrynth In contrast to the three scriptures with their different injunctions, the Labyrinth, as the sculpture of the plot of stories, illustrates the Conflict Resolution Process as ‘finding out what how one can fly, or find out about oneself.</image:caption>
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      <image:title>Stealing the Fire - Compromise: Pegasus and the Labrynth (Copy)</image:title>
      <image:caption>Compromise: Pegasus and the Labrynth In contrast to the three scriptures with their different injunctions, the Labyrinth, as the sculpture of the plot of stories, illustrates the Conflict Resolution Process as ‘finding out what how one can fly, or find out about oneself.</image:caption>
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      <image:title>Stealing the Fire</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1410559436100-9PVZYBKW6TME73UQ92J5/venus_penis.png</image:loc>
      <image:title>Stealing the Fire - Chapel of Venus and Penis (Copy)</image:title>
      <image:caption>Chapel of Venus and Penis Freud’s station features two chapels, upright bathtubs partially inserted in the ground, positioned against purple towers; these are the chapels for the gods of Freud: Venus and Penis.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1410563863496-ZYVGMH204EJ245YQLNTN/russian_hand.png</image:loc>
      <image:title>Stealing the Fire - Monument to Marx (Copy)</image:title>
      <image:caption>Monument to Marx The monument for Marx features fine Russian metal sculptures by Nicolai Melnikoff, on top of a square set of red violated deposit boxes; the first presents the hands of Armageddon holding weapons, the second, the hand of the crucifix, and the third is a nutcracker waving a sword while the king of the rats emerges from his cannon.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1410563873147-DA45JGXQZA808N7B1RCD/furnaces.png</image:loc>
      <image:title>Stealing the Fire - Hitler Behind Bars (Copy)</image:title>
      <image:caption>Hitler Behind Bars In counterpoint to the colorful sculptures of the Jewish revolutions, this black and bleak holocaust memorial symbolizes Nazi Germany’s persecution of the Jews. This monument presents a pyramid of violated safe deposit boxes, featuring Hitler on the top box, ueber alles, behind bars. The pyramid of violated boxes is surrounded by skeletons of furnaces; one of them has a swastika, reminding us of Hitler’s culture</image:caption>
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      <image:title>Stealing the Fire - The conflict resolution process as Jacob’s ladder (Copy)</image:title>
      <image:caption>The conflict resolution process as Jacob’s ladder The sculpture symbolizes the conflict resolution process in the shape of a DNA molecule ascending to the divine. It is the projection of the unconscious as the mental oscillation opposing the law of gravity by growing like a tree toward the sky and the sun. A wolf on the bottom represents my anger at all arbitrary moralities that have caused harm to the world, as religions and ideologies that have caused immense suffering.  On the steps of the scale I wish to append the heads of the heroes of the century marking the dialectic nature of conflict resolution. On the bottom I have placed another Hitler head, above it a head of Marx, further up one of Freud, up top one of Gorbachev, the hero of glasnost and perestroika, who singlehandedly freed the world from the conflicts of Marxism as the economic model. By placing the heads in a sequence I seek to inspire forgiveness and healing based on the principle that these individuals meant well but were misled by bad science. I am also inviting them to be reconciled as partial truths fitting in the dialectics of the scientific paradigm of morality as the science of conflict resolution. I believe reconciliation can heal the world.</image:caption>
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  </url>
  <url>
    <loc>https://www.museumofthecreativeprocess.com/publications</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-11-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/78f5c079-4225-48b9-b63b-542ff891c4d3/IMG_8504.jpg</image:loc>
      <image:title>Books - Creativity and Power Management, A Concise Program of Emotional Education II</image:title>
      <image:caption>Creativity and Power Management, A Concise Program of Emotional Education II: The Psychoeducational Delivery of the Conflict Analysis Battery, published Fall 2016, is a book of case studies from clients that have completed the online emotional education program as well as cases from students and other-non clinical clients. The book presents a model of wellness education for the masses and a format for introducing emotional education to the classroom.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/6b14bcb2-a7a0-4b61-942c-374a3e9cea46/IMG_8499.jpg</image:loc>
      <image:title>Books - Conflict Analysis: the Formal Theory of Behavior</image:title>
      <image:caption>Conflict Analysis: the Formal Theory of Behavior, outlines the principles of the Formal Theory, and develops a scientific method for understanding behavior. The textbook formulates a method of studying emotional energetic transformations with the guidance of physics, studying the dialectics of unconscious dynamics as a scientific phenomenon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/c4b13074-f1bd-4bb6-a35f-3ff2fa0433a5/work_book_cover.jpg</image:loc>
      <image:title>Books - Conflict Analysis Training</image:title>
      <image:caption>Conflict Analysis Training is a workbook of exercises and assessments that lead towards greater self awareness and understanding. The book guides its readers to an understanding of their relational modality, how they deal with conflict, and how they can best improve</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1614097509169-HOBMTHPVO1WJFCJKSM0R/all+covers+final.jpg</image:loc>
      <image:title>Books</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1499195688287-29FV28X7VE2GOKKT8S2B/creativity_power_mgmt_1.jpg</image:loc>
      <image:title>Books - Creativity &amp; Power Management, A Concise Program of Emotional Education I</image:title>
      <image:caption>Creativity &amp; Power Management, A Concise Program of Emotional Education I: The Clinical Delivery of the Conflict Analysis Battery: A Didactic, Diagnostic and Therapeutic Self-Assessment, published in Spring 2016, is book of clinical case studies, illustrates a new theory, the Formal Theory, and a new therapy, Creativity and Power Management, as a concise program of emotional education utilizing the Conflict Analysis Battery and the simple scientific principles of the Formal Theory .</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/c8444717-fa98-4e26-9c60-1affe0399337/IMG_8503.jpg</image:loc>
      <image:title>Books - Science Stealing the Fire of the Gods</image:title>
      <image:caption>Science Stealing the Fire of the Gods, published Summer 2011, explores in detail the Museum’s exhibits, investigating the emotional discovery present in the Gorski Retrospective, and retracing the evolution of abstraction in religious paradigms. Based upon the myth of Prometheus stealing the fire of Olympus, the book presents science as now demystifying religion and offering humanity the tools of moral life.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/aa8b7661-5632-47df-afbf-b100820aab3b/IMG_8501.jpg</image:loc>
      <image:title>Books - The Moral Science Primer: Psychology as the Science of Conflict Resolution</image:title>
      <image:caption>The Primer presents the premise's validation by identifying the six-emotions syndromal order and the four relational modalities examining samples of the creative process in three realms: First, the art exhibits of the Museum of the Creative Process; Second, case studies utilizing a creativity-generating self-assessment, and Third, examining religions as discoveries of the alternative ways of resolving conflicts. These validations confirm the unconscious as a measurable, graphically portrayable, conflict resolution entity that spiritualizes psychology, while demystifying religions.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/78f5c079-4225-48b9-b63b-542ff891c4d3/IMG_8504.jpg</image:loc>
      <image:title>Books - Creativity and Power Management, A Concise Program of Emotional Education II</image:title>
      <image:caption>Creativity and Power Management, A Concise Program of Emotional Education II: The Psychoeducational Delivery of the Conflict Analysis Battery, published Fall 2016, is a book of case studies from clients that have completed the online emotional education program as well as cases from students and other-non clinical clients. The book presents a model of wellness education for the masses and a format for introducing emotional education to the classroom.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/6b14bcb2-a7a0-4b61-942c-374a3e9cea46/IMG_8499.jpg</image:loc>
      <image:title>Books - Conflict Analysis: the Formal Theory of Behavior</image:title>
      <image:caption>Conflict Analysis: the Formal Theory of Behavior, outlines the principles of the Formal Theory, and develops a scientific method for understanding behavior. The textbook formulates a method of studying emotional energetic transformations with the guidance of physics, studying the dialectics of unconscious dynamics as a scientific phenomenon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1614097509169-HOBMTHPVO1WJFCJKSM0R/all+covers+final.jpg</image:loc>
      <image:title>Books</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/c4b13074-f1bd-4bb6-a35f-3ff2fa0433a5/work_book_cover.jpg</image:loc>
      <image:title>Books - Conflict Analysis Training</image:title>
      <image:caption>Conflict Analysis Training is a workbook of exercises and assessments that lead towards greater self awareness and understanding. The book guides its readers to an understanding of their relational modality, how they deal with conflict, and how they can best improve</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1499195688287-29FV28X7VE2GOKKT8S2B/creativity_power_mgmt_1.jpg</image:loc>
      <image:title>Books - Creativity &amp; Power Management, A Concise Program of Emotional Education I</image:title>
      <image:caption>Creativity &amp; Power Management, A Concise Program of Emotional Education I: The Clinical Delivery of the Conflict Analysis Battery: A Didactic, Diagnostic and Therapeutic Self-Assessment, published in Spring 2016, is book of clinical case studies, illustrates a new theory, the Formal Theory, and a new therapy, Creativity and Power Management, as a concise program of emotional education utilizing the Conflict Analysis Battery and the simple scientific principles of the Formal Theory .</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/c8444717-fa98-4e26-9c60-1affe0399337/IMG_8503.jpg</image:loc>
      <image:title>Books - Science Stealing the Fire of the Gods</image:title>
      <image:caption>Science Stealing the Fire of the Gods, published Summer 2011, explores in detail the Museum’s exhibits, investigating the emotional discovery present in the Gorski Retrospective, and retracing the evolution of abstraction in religious paradigms. Based upon the myth of Prometheus stealing the fire of Olympus, the book presents science as now demystifying religion and offering humanity the tools of moral life.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/aa8b7661-5632-47df-afbf-b100820aab3b/IMG_8501.jpg</image:loc>
      <image:title>Books - The Moral Science Primer: Psychology as the Science of Conflict Resolution</image:title>
      <image:caption>The Primer presents the premise's validation by identifying the six-emotions syndromal order and the four relational modalities examining samples of the creative process in three realms: First, the art exhibits of the Museum of the Creative Process; Second, case studies utilizing a creativity-generating self-assessment, and Third, examining religions as discoveries of the alternative ways of resolving conflicts. These validations confirm the unconscious as a measurable, graphically portrayable, conflict resolution entity that spiritualizes psychology, while demystifying religions.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.museumofthecreativeprocess.com/system</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-11-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1517589366063-J8076FPCZ2O88KJS34B7/Screen+Shot+2018-02-01+at+1.17.46+PM.png</image:loc>
      <image:title>Syndroms and Modalities</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1410722869199-K0RBIQSCHY9WEYY7730U/4+temp.jpg</image:loc>
      <image:title>Syndroms and Modalities</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1547491039541-4CL3QA6M6LNTF4I8OXKV/Screen+Shot+2017-05-16+at+3.53.58+PM.png</image:loc>
      <image:title>Syndroms and Modalities</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1410721325920-TDHB9HTFOHFC8XG8VYS1/gorski2.jpg</image:loc>
      <image:title>Syndroms and Modalities</image:title>
      <image:caption>Gorski's Paintings illustrate the four relational patterns.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1410721631587-4MZL8UUN9ZSK850P7DJT/4children.png</image:loc>
      <image:title>Syndroms and Modalities</image:title>
      <image:caption>The Four Sons of the Haggadah reflect the four relational modalities.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1410723711057-6MP145MN493XVWGRBOG3/askwiz2.jpg</image:loc>
      <image:title>Syndroms and Modalities</image:title>
      <image:caption>The Wizard of Oz characters reflect four different relational patterns.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1547492090270-D38YYKYI36KMGXCVKORF/Screen+shot+2012-10-19+at+1.06.37+PM.png</image:loc>
      <image:title>Syndroms and Modalities</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1410722971488-EJQAQDFIIUDO5VODFVN4/image-asset.jpeg</image:loc>
      <image:title>Syndroms and Modalities</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1547491039541-4CL3QA6M6LNTF4I8OXKV/Screen+Shot+2017-05-16+at+3.53.58+PM.png</image:loc>
      <image:title>Syndroms and Modalities</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1410721631587-4MZL8UUN9ZSK850P7DJT/4children.png</image:loc>
      <image:title>Syndroms and Modalities</image:title>
      <image:caption>The Four Sons of the Haggadah reflect the four relational modalities.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1517589366063-J8076FPCZ2O88KJS34B7/Screen+Shot+2018-02-01+at+1.17.46+PM.png</image:loc>
      <image:title>Syndroms and Modalities</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1547492090270-D38YYKYI36KMGXCVKORF/Screen+shot+2012-10-19+at+1.06.37+PM.png</image:loc>
      <image:title>Syndroms and Modalities</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1410721325920-TDHB9HTFOHFC8XG8VYS1/gorski2.jpg</image:loc>
      <image:title>Syndroms and Modalities</image:title>
      <image:caption>Gorski's Paintings illustrate the four relational patterns.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1410723711057-6MP145MN493XVWGRBOG3/askwiz2.jpg</image:loc>
      <image:title>Syndroms and Modalities</image:title>
      <image:caption>The Wizard of Oz characters reflect four different relational patterns.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1410722869199-K0RBIQSCHY9WEYY7730U/4+temp.jpg</image:loc>
      <image:title>Syndroms and Modalities</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1410722971488-EJQAQDFIIUDO5VODFVN4/image-asset.jpeg</image:loc>
      <image:title>Syndroms and Modalities</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.museumofthecreativeprocess.com/moral-order</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-11-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1594914745783-PAPHJJRQQ1EUDBMU9LGN/moral%2Bmonopoly%2Bbanner.jpg</image:loc>
      <image:title>Morality - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1513984321787-ZEKBYNL3PTW4E6KNISOL/Moral+MonopolyGmbd+50_+w+cards.jpg</image:loc>
      <image:title>Morality - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.museumofthecreativeprocess.com/testing</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-11-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1518044016656-MPQVDDHHENYCWXVRAI5O/image-asset.png</image:loc>
      <image:title>Assessment Theory</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/eb8624f3-fda6-41c2-b36a-3b15b6b1a358/Screenshot+2025-10-21+at+5.02.07%E2%80%AFPM.png</image:loc>
      <image:title>Assessment Theory - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/a0d8d99e-742d-44c5-8e1c-b18b81d7118b/Screenshot+2025-10-21+at+5.02.38%E2%80%AFPM.png</image:loc>
      <image:title>Assessment Theory - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1518044016656-MPQVDDHHENYCWXVRAI5O/image-asset.png</image:loc>
      <image:title>Assessment Theory</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.museumofthecreativeprocess.com/gorski</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400680706070-9I3S1NKTSUG5QHGICYCD/Lovebugs_1.jpg</image:loc>
      <image:title>Gorski Gallery</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400680709761-37J2MX7R45FCA1X3EJC7/Lovebugs_2.jpg</image:loc>
      <image:title>Gorski Gallery</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1404227700608-KE062RA6A9H90YYBS30A/stresspainb.jpg</image:loc>
      <image:title>Gorski Gallery - Child of Darkness (Copy)</image:title>
      <image:caption>Child of Darkness Trauma/Stress This is Gorski's son. The child's mouth is highlighted but is silent. He is unable to communicate because he is autistic. His face is obscured by darkness and uncertainty of his feelings.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1404227727782-F0PKROF31MQUU0R23CW6/responsepainb.jpg</image:loc>
      <image:title>Gorski Gallery - Consumer, Consumed, Consumed, Consumed... (Copy)</image:title>
      <image:caption>Consumer, Consumed, Consumed, Consumed... Henry Gorski Role Assumption. Defense. The closed mouths burst open. The anger generates projection of the anger as the person is afraid of others' anger, the consumer is afraid of being consumed. One angry behavior generates endless reverberations of one's anger haunting one's unconscious.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400680801886-BGU0O75FTK2A8JS8D6SZ/Gorski_Odysseus_1964-1965.jpg</image:loc>
      <image:title>Gorski Gallery - Odysseus (Copy)</image:title>
      <image:caption>Odysseus Anticipated Role Reversal. Anxiety. The screaming person feels anxious and blocked. The explorer, Odysseus the space traveler, feels trapped. He has many instruments but he is blind. He is driving a vehicle but he is barred. He fears he is a prisoner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400700425447-YH75B2OKD7U3J2YQLIIP/defensepainb.jpg</image:loc>
      <image:title>Gorski Gallery - Walls of Fear (Copy)</image:title>
      <image:caption>Walls of Fear Counterphobic Role Assumption. Defense. The mouths gradually open up. We see the evolution without screaming and without fears, with almost a smile.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400700601973-26R9RRF1Z66HHVOY5E2V/reversalpainb.jpg</image:loc>
      <image:title>Gorski Gallery - Blocked (Copy)</image:title>
      <image:caption>Blocked Role Reversal. Man becomes dehumanized. He is is reduced to a machine comprised of switches, connections, and data storage.The paradox is in the stripe stating 'do not bend, twist, or mutilate'.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400680911405-644YGZH1UM8TVYW5BMLF/BirthOfAdam_KAM.jpg</image:loc>
      <image:title>Gorski Gallery - Birth of Adam (Copy)</image:title>
      <image:caption>Birth of Adam Compromise Role Assumption. Man is finally emerging from oppression; clarity is achieved in thought, and soon, voice. The colors are muted and gentle; the transformation is nearly completed. Thought is implied visually to be the tip of the iceberg; life has changed, and it is calm and serene.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1404227808167-LCENLVOSO1KMWVCIM3Q6/stresspolitical.jpg</image:loc>
      <image:title>Gorski Gallery - Astronaut (Copy)</image:title>
      <image:caption>Astronaut Stress. Role Oppression. Man trapped in his armor.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400700601839-C0BJSW21P0HKJOI7FI7Y/responsepolitical.jpg</image:loc>
      <image:title>Gorski Gallery - Snare (Copy)</image:title>
      <image:caption>Snare Response. Role Assumption. Man reaching beyond.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1404227845010-EPM29U1BJGBNSZTX95SZ/responsepolitical2.jpg</image:loc>
      <image:title>Gorski Gallery - Ship of Fools (Copy)</image:title>
      <image:caption>Ship of Fools Response. Role Assumption # 2. A wholesome thrust to emerge beyond the snare.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400700601811-9HO2P91OLXXMG41DVCKB/anxietypolitical.jpg</image:loc>
      <image:title>Gorski Gallery - Man of Letters (Copy)</image:title>
      <image:caption>Man of Letters Anxiety. Anticipated Role Reversal. Fears of being ensnared.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400700601631-GVH77OIE8B58M8GPA8XZ/defensepolitical.jpg</image:loc>
      <image:title>Gorski Gallery - The Committee (Copy)</image:title>
      <image:caption>The Committee Defense. Counterphobic Role Assumption. Eyes and gestures speak louder than words.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400700601631-CGM3O5TL0OTFTJ51NFHH/reversalpolitical.jpg</image:loc>
      <image:title>Gorski Gallery - The Double (Copy)</image:title>
      <image:caption>The Double Role Reversal. The inner man emerging, identity formation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400700601426-182AJJO6M3TA0VNXQR1E/compromisepolitical.jpg</image:loc>
      <image:title>Gorski Gallery - The Committee Men (Copy)</image:title>
      <image:caption>The Committee Men Compromise. Compromise Role Assumption. The men are less threatening, have true identities.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400700601427-4J8E5S9ZW3BROKJJZR4X/compromisepolitical2.jpg</image:loc>
      <image:title>Gorski Gallery - The Game (Copy)</image:title>
      <image:caption>The Game Compromise. Compromise Role Assumption #2. Political compromise is completed.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1404227895677-VC5FNTML0DAWH4W66SK4/stresseroticb.jpg</image:loc>
      <image:title>Gorski Gallery - Saja's Secret (Copy)</image:title>
      <image:caption>Saja's Secret Role Oppression. The forbidden kiss.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1404227960075-0R460Y2LQUHDWJCOH18K/responseeroticb.jpg</image:loc>
      <image:title>Gorski Gallery - Kiss # 1, Kiss # 2 (Copy)</image:title>
      <image:caption>Kiss # 1, Kiss # 2 Response. Role Assumption. Surrender into Passion.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1404228017933-I9R72694PLCPII6LPEZS/responseerotic2b.jpg</image:loc>
      <image:title>Gorski Gallery - Obsessed With Love (Copy)</image:title>
      <image:caption>Obsessed With Love Response. Role Assumption.   The mouth and kiss become the sole object of interest.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400700601300-LIUWUNK01WTP2NY5JEKA/anxietyeroticb.jpg</image:loc>
      <image:title>Gorski Gallery - Hyperbolic Bride (Copy)</image:title>
      <image:caption>Hyperbolic Bride Anxiety. Anticipated Role Reversal. The passionate kiss finds its target, a sexual fantasy. The kiss, the breasts, the flower, a rose...The objects of affection are forbidden. The mouth and breasts get concealed by circles of inhibitions. The rose remains exposed. Our hero is afraid of losing control.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1404228138442-3IBI54GFCKF3QDBZ4ZQF/anxietyerotic2b.jpg</image:loc>
      <image:title>Gorski Gallery - Apparition (Copy)</image:title>
      <image:caption>Apparition Anxiety. Anticipated Role Reversal. The tension builds up the closer one is to temptation. The person does not trust himself; he becomes self conscious.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400700601071-3RB1095IZGT89E4N3J5P/defenseeroticb.jpg</image:loc>
      <image:title>Gorski Gallery - The Rape of the Rose (Copy)</image:title>
      <image:caption>The Rape of the Rose Defense. Counterphobic Role Assumption. The body violates the soul.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1404228216235-83TRU1GQ0ZQFP9C7P24J/reversaleroticb.jpg</image:loc>
      <image:title>Gorski Gallery - Nowhere to Hide (Copy)</image:title>
      <image:caption>Nowhere to Hide Role Reversal. Feeling overwhelmed with guilt.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1404228254395-TD47CWRYTL37SUPF16Z2/compromiseeroticb.jpg</image:loc>
      <image:title>Gorski Gallery - Eye-Dentity (Copy)</image:title>
      <image:caption>Eye-Dentity Compromise Role Assumption. The safest love; surrendering to the cross.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1404228293044-6E3EUGGHN2WBLYE6HOSJ/compromiseerotic2b.jpg</image:loc>
      <image:title>Gorski Gallery - Crucifiction-Crucifixion (Copy)</image:title>
      <image:caption>Crucifiction-Crucifixion Compromise Role Assumption. Perfect interaction of passion and innocence.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400700601094-AHXFDI8ALXBIXO61NIYH/compromiseerotic3b.jpg</image:loc>
      <image:title>Gorski Gallery - Crucifiction-Crucifixion (Copy)</image:title>
      <image:caption>Crucifiction-Crucifixion Compromise Role Assumption. Perfect interaction of passion and innocence.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1404229205369-6N739T5J54D7P6A4RDOM/stresscareerb.jpg</image:loc>
      <image:title>Gorski Gallery - Vestigial Being (Copy)</image:title>
      <image:caption>Vestigial Being Trauma. Role Oppression. The Crucifix is tranformed into the sacrificial Mexican Athlete. Mexican athletes were asked to perform at and beyond their potential physical abilities, sacrificing health and safety for the good of the team and nation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1404229255271-V5Q8DEIQFX3PDE5LKY08/responsecareerb.jpg</image:loc>
      <image:title>Gorski Gallery - Wind-Up (Copy)</image:title>
      <image:caption>Wind-Up Response. Role Assumption. Pure athletic aggression; free of conflict. Powerful, determined, parallel lines and complementary colors indicate focus and skill.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400680818853-0GD5Z0VTP5XECKX1EX1C/Blocked_KAM.jpg</image:loc>
      <image:title>Gorski Gallery - Blocked (Copy)</image:title>
      <image:caption>Blocked Anxiety. Anticipated Role Reversal. The person as an athlete fears losing his identity by becoming a uniform with a number. He feels trapped and closed in overwhelmed by other dehumanized figures.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1404226987122-T3ZK6RFCQ6K4A5BN8GP0/defensecareerb.jpg</image:loc>
      <image:title>Gorski Gallery - Through the Hole (Copy)</image:title>
      <image:caption>Through the Hole Defense. Counterphobic Role Assumption. Man is obsessed with victory and steps over other people; breaks through the trapped anxiety to become self.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1404229355483-EJ1C7C3M2OCNQ1T2J5UK/reversalcareerb.jpg</image:loc>
      <image:title>Gorski Gallery - Winner Take All (Copy)</image:title>
      <image:caption>Winner Take All Outcome. Role reversal. Triumph or illusion; success is reached, beauty is achieved. Rocky Balboa and Mona Lisa, figures of beauty and ultimate status, appear to be happy. The helmet on Rocky's head, however, shows his inability to communicate his true desire for love, not appearance; his voice is silenced.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1404229393563-0CORLYY1289GFIRLA3NC/compromisecareerb.jpg</image:loc>
      <image:title>Gorski Gallery - Love Triangle (Copy)</image:title>
      <image:caption>Love Triangle Compromise. The illusion of a kiss. The painting also has a faux frame. The entire context of the viewing experience is illusary; unreal. It is removed from reality, an appropriate resolution to the overwhelming stress of the Vestigial Being.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1404229438159-4FETT982KAM1AV89PQHP/compromisecareer2b.jpg</image:loc>
      <image:title>Gorski Gallery - Manuel with Bird (Copy)</image:title>
      <image:caption>Manuel with Bird Compromise. Compromise Role Assumption. Life is a world of illusions. The blue bird, the bird of happiness, this unfortunate person has in his hand is actually on his T shirt.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400680794241-LUWTAZXHTC2IDR33YBA0/Gorski_Shadow_Play_1984.jpg</image:loc>
      <image:title>Gorski Gallery - Shadow Play (Copy)</image:title>
      <image:caption>Shadow Play Compromise. The artist is creating his world, painting himself not as a true representation, but as a shadow; referencing Plato's Allegory of the Cave, in which reality is not as it seems. The shadow is living in the "real world," but the direction of the sun makes it apparent that the real world is nothing but illusion.</image:caption>
    </image:image>
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      <image:title>Gorski Gallery</image:title>
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      <image:title>CAB Validations</image:title>
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      <image:title>CAB Validations</image:title>
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      <image:title>CAB Validations</image:title>
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      <image:title>CAB Validations</image:title>
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      <image:title>CAB Validations</image:title>
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      <image:title>CAB Validations</image:title>
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      <image:title>CAB Validations</image:title>
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      <image:title>CAB Validations</image:title>
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      <image:title>CAB Validations</image:title>
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      <image:title>CAB Validations</image:title>
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      <image:title>CAB Validations</image:title>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Client Profiles - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Client Profiles - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1622479074319-85WO5RWEMUWSWXHO3S3U/IMG_5366.jpeg</image:loc>
      <image:title>The creative process - Happily Ever After</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://www.museumofthecreativeprocess.com/mission</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-12-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/6b4f26e4-fadf-426a-8f71-0527a033d52c/Aro+Ha_0010+1.jpg</image:loc>
    </image:image>
  </url>
  <url>
    <loc>https://www.museumofthecreativeprocess.com/training-the-ai</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-09-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/b2cde727-84c3-42c4-b0f8-4beaebbc5ad1/LANTERN-.jpeg</image:loc>
      <image:title>Training the AI - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/b2cde727-84c3-42c4-b0f8-4beaebbc5ad1/LANTERN-.jpeg</image:loc>
      <image:title>Training the AI - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.museumofthecreativeprocess.com/ai-analysis-of-relational-modalities</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-24</lastmod>
  </url>
  <url>
    <loc>https://www.museumofthecreativeprocess.com/new-page-4</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-19</lastmod>
  </url>
  <url>
    <loc>https://www.museumofthecreativeprocess.com/premise</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-10-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/2bef5075-505d-402a-800f-05f8c73cc2c7/left+figure+table+1+crit+thinking.png</image:loc>
      <image:title>Premise - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/8feac46b-27cc-4d3e-aa19-d05a63006d77/scale+2020-07-22+at+9.29.12+AM.png</image:loc>
      <image:title>Premise - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.museumofthecreativeprocess.com/origins-of-the-theory-observations-of-periodicity</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-11-05</lastmod>
  </url>
  <url>
    <loc>https://www.museumofthecreativeprocess.com/think-tank-invitation</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-11-10</lastmod>
  </url>
  <url>
    <loc>https://www.museumofthecreativeprocess.com/midweek-retreat</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-05-06</lastmod>
  </url>
  <url>
    <loc>https://www.museumofthecreativeprocess.com/greece-vs-judea</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1727103212983-P4O92VZOB64Y8FSNG5R7/IMG_0574+%281%29.jpg</image:loc>
      <image:title>Greece Vs. Judea Leading to Christianity - The Chariots of Alexander  (Copy)</image:title>
      <image:caption>The Chariots of Alexander This section of the sculptural trail is important in recognizing conflict resolution as the creation of a new moral paradigm-- a new religion, a transformation of family relations. The Alexandrian influence on the Judaic culture was in women disrespecting Judaic traditions challenging Judaic chastity, which evoked a Judaic overreaction in spirituality as represented by Jesus. Rethinking both the Greek and the Judaic philosophies and value systems, the impact of this culture transformed the Roman empire, experienced as the shift of norms from the colosseum-- the institution of violence-- to the Vatican, an institution of self-sacrifice. The installation captures the conflict of the cultures. Greece is represented by the Chariots of Alexander, Judaism by the strict obedience to the commandments evolving towards the new paradigm, respecting the sanctity of the mother-child relationship. This was a definite shift from the dominant antagonistic Greek and the dominant cooperative Judaic models, to the submissive cooperative Christian normative system. The Greek invasion of the Middle East grafted the competitive antagonistic Grecian values into the cooperative Judaic ones. The Greek cultural influence fostered the rethinking of the relationship between men and women, humans and the divine. It facilitated rational thinking, individuality, passions and normative permissiveness. It allowed the deification of humans. The messianic religions changed the balance of power in the Judaic family. Judaism espoused the Father-Son relationship, while the Messianic religions favored the Mother and Child alliance, redefined in Islam symbolically in the Crescent and the Star.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1727199826352-EZ7ANEI6HNQA0CSKOMJZ/IMG_0668.jpg</image:loc>
      <image:title>Greece Vs. Judea Leading to Christianity - Moses Standing on the Ten Commandments (Copy)</image:title>
      <image:caption>Moses Standing on the Ten Commandments The virtual Jerusalem is a circle of tall pine trees. In the center of the circle is a gathering place for rabbis talking about the law. The sculpture symbolizes this through depicting Moses standing on top of the ten commandments.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1727103212233-UJ28CAEP0YTAUC675MCG/wilburton_219+%281%29.jpg</image:loc>
      <image:title>Greece Vs. Judea Leading to Christianity - ‘Girls are as good as boys’. (Copy)</image:title>
      <image:caption>‘Girls are as good as boys’. The sculptures represent the uprising of women in Hellenized Jerusalem. The Greco-Roman influence undermined the traditional Judaic role of women. Jesus requested civil rights for women, which we interpret as the mother-child alliance countering the Judaic father-son covenant. Religions represent politically determined alternative modes of conflict resolution. They are normative restructurings of family relations. This one has a banner that proclaims ‘Girls are as good as boys’.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1727103213536-ON2ZS5V2NKQ3MENS2G6D/wilburton_220+%281%29.jpg</image:loc>
      <image:title>Greece Vs. Judea Leading to Christianity - Protest of Patriarchy (Copy)</image:title>
      <image:caption>Protest of Patriarchy In another place is a woman with a child. She is saying ‘God is not with the father and the son; he is with the mother and the child’.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.museumofthecreativeprocess.com/how-to-be-a-fish-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1727103402809-ALWXR198OJU2CI1JYL2P/IMG_0584.jpg</image:loc>
      <image:title>How to be a Fish</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1727103402849-C6HWO47VQ4LPN9G5O969/IMG_0585.jpg</image:loc>
      <image:title>How to be a Fish</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1727103405492-JJ53C8HMGL6MFUJJW53M/IMG_0586.jpg</image:loc>
      <image:title>How to be a Fish</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1727103405478-28IHUIM9J5I0G8QUWSGT/IMG_0587.jpg</image:loc>
      <image:title>How to be a Fish</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1727103407335-ZP6TVD0GIU2S8MJUDIY5/IMG_0588.jpg</image:loc>
      <image:title>How to be a Fish</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.museumofthecreativeprocess.com/mural3</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1403554487518-5Q9FHN3F319SVQI58EL2/3mural31.jpg</image:loc>
      <image:title>Mural3</image:title>
      <image:caption>The process is a sequence of formal transformations; an equilibrial system, illustrated by the balance of a scale. The unconscious tips the scale toward resolution, transforming passivity to activity, antagonism to cooperation, and alienation to mutual respect.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1403554487450-P1SBIPP87FA12HMZO925/3mural32.jpg</image:loc>
      <image:title>Mural3</image:title>
      <image:caption>The conflict resolution process is the unit of moral order. It mandates deliberate conflict resolution as the transformation of passivity to activity, of antagonism to cooperation, and of alienation to repect. The universal laws of morality, coincide with the Ten Commandments.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1403554487643-ARFN7BUFTCWLH19RMBT6/3mural33.jpg</image:loc>
      <image:title>Mural3</image:title>
      <image:caption>The process is a sequence of energetic transformations, like the pendulum oscillation. It abides by the laws of physics, but unlike the pendulum, the process upgrades order; it increases negative entropy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1403554352932-DSBH20C3N68RSEJM3R5P/3mural35.jpg</image:loc>
      <image:title>Mural3</image:title>
      <image:caption>Judaism illustrates the assertiveness syndrome. Jacob, the favored son of a powerful mother, is assertive. He extracts blessings from his father and wrestles with God. Becoming empowered as Israel, he is respectful of his discriminated brother Hesau, and a fair judge for his wives and sons. The Passover Seder's querying sons illustrate the four relational modalities; those of the wise, wicked, simple, and the quiet alternatives. The Judaic values reinforce the desirability of assertiveness and respect.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1403554352966-J79X9XJ1B5HEZQXR0FD7/3mural36.jpg</image:loc>
      <image:title>Mural3</image:title>
      <image:caption>Islam illustrates the dominance syndrome. Mohammed espoused dominance, the relational choice attributed to Ishmael. Ishmael was the first born son of Abraham and Hagar. Hagar and Ishmael were banished to the desert. Feeling unjustly deprived, Ishmael and Mohammed feel jusitified in dominating their rivals. This relational choice is experienced by their opponents as dominant antagonistic.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1403554352873-XUJ3U8FEAB4UUDV2FRLY/3mural34.jpg</image:loc>
      <image:title>Mural3</image:title>
      <image:caption>Christianity illustrates the subordinacy syndrome. Jesus, the son of an unwed mother, espoused cooperation, non-violence, asexuality, and self-sacrifice. It is the relational choice of surrender and hope.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.museumofthecreativeprocess.com/mural6</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1403555532920-A20KJEDKWL03EI55JSYK/mural61.jpg</image:loc>
      <image:title>Mural6</image:title>
      <image:caption>Mexican Indian Culture Submissive Antagonistic Mode Human sacrifice to the Gods. Man is the apple to be plucked.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1403555532931-DNVKCTNCI6LYC3ST1FV6/mural62.jpg</image:loc>
      <image:title>Mural6</image:title>
      <image:caption>Judaic Culture Dominant Cooperate Mode Forbidden Fruit Mosaic Law</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1403555533501-RD08FPRX1NLM98QB4MXL/mural63.jpg</image:loc>
      <image:title>Mural6</image:title>
      <image:caption>Oriental Culture Submissive Cooperative Mode Sacred cows as an exaggeration of the forbidden fruit, exaggerated self restraignt leading to inflicting pain on oneself.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1403555533513-KJ2DPOVPXZPWIGWWU863/mural64.jpg</image:loc>
      <image:title>Mural6</image:title>
      <image:caption>Greek Culture Dominant Antagonistic Mode Competitiveness is acceptable The Apple of Discord</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1403555533624-S1CYB85I0TYQIK1TEUDG/mural65.jpg</image:loc>
      <image:title>Mural6</image:title>
      <image:caption>Physics constructs of displacement (s), velocity (v), and acceleration (a), are equivalent to Formal Theory's status (s) behaviors (v) and emotions (a). Clockwise vectors correspond to cooperation, counterclockwise to the opposite, antagonistic. Whole numbers correspond to activity states, fraction to reciprocal passivity states.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1403555533658-U2EAVXCIGOK2NDNSTQWV/mural66.jpg</image:loc>
      <image:title>Mural6</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.museumofthecreativeprocess.com/four-cultures</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1726165420429-92HYW3T9C8DA915N2UKM/image-asset.jpeg</image:loc>
      <image:title>Four Cultures - Four Cultures illustrate the evolution of the family institution (Copy)</image:title>
      <image:caption>Four Cultures illustrate the evolution of the family institution This first image illustrates the beginning of the family institution as Matriarchy. We know Medusa in the Greek culture as the snake woman. In the Aztec culture, she is Quatlique. The mother was scared of her daughter as her rival and had her son Huitilopochtli killing her. Blood sacrifices became an institution to protect the power of mother Earth. The culture adopted the Eagle Snake configuration illustrating the submissive antagonistic role system as the prevailing power structure of the cultural system.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1727102986195-7I6MGCKODU8UYV9K76WK/Blood%2Bon%2Btheir%2Bhands%2Band%2BClytemnestra.jpeg</image:loc>
      <image:title>Four Cultures - Patriarchy (Copy)</image:title>
      <image:caption>Patriarchy Patriarchy marks the reversal of Matriarchy illustrated with Zeus informed by Prometheus about the pattern of mothers and sons killing fathers, initiates a preemptive attack at his wife, Metis. He overpowered her, swallowed her, and eventually Athena was born out of his head. The Greek domestic paradigm of patriarchy presents Zeus having a number of affairs upsetting his wife Hera, who is vindicating herself by putting snakes in the crib of Hercules, his child, and transforming his mistress, Ios into a cow.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1727102740817-JN0WZJMB5YD9EOGZWICD/image-asset.jpeg</image:loc>
      <image:title>Four Cultures - Asceticism (Copy)</image:title>
      <image:caption>Asceticism Asceticism is the phase where men moderated power suppressing desires, reducing the sense of anxiety in their own minds. This approach coincided with the change of the mother-father-son relationship as symbolized in the story of Ganesha. A child decapitated by Shiva and restored with an Elephant head, resolving the conflicts between the mother Kalli, and the husband, Shiva. Asceticism represents submissive cooperation in family and cultural relations. It is a phase between dominant antagonism in the greek family and dominant cooperation in the Judaic family.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1727102742792-2NA62OT4SFQ5UMYHE08L/Pharos%2Btrio%2Bcopy.jpg</image:loc>
      <image:title>Four Cultures - Monotheism (Copy)</image:title>
      <image:caption>Monotheism Monotheism represents the shift of submissive cooperation of asceticism to the Abrahamic religions' dominant cooperation symbolized here embracing the father son covenant mutual respect bonding between father and son avoiding conflicts with mothers. The image presents the Abu Simbel sculpture modified to present three gigantic patriarchs and four diminutive matriarchs, as well as two horus birds, which we interpret as representing respect for extramarital relations in this system.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.museumofthecreativeprocess.com/scriptures-as-how-to-behave-as-a-bird</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1727103317211-YA6ECHQ9ANQK2ANGX8HP/IMG_0579+%281%29.jpg</image:loc>
      <image:title>Scriptures as How to Behave as a Bird</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1727103317356-8KHUTUQ14QCQM9XV6T5U/IMG_0580.jpg</image:loc>
      <image:title>Scriptures as How to Behave as a Bird</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1727103319318-JUR10O6TZH4GFYN0QEDM/IMG_0581.jpg</image:loc>
      <image:title>Scriptures as How to Behave as a Bird</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1727103320189-N4SM7CVSZ8ARIUO8HOBD/IMG_0582.jpg</image:loc>
      <image:title>Scriptures as How to Behave as a Bird</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1727103320753-F4KKS9FR1Z1EE6O3HWZ1/IMG_0583.jpg</image:loc>
      <image:title>Scriptures as How to Behave as a Bird</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1727103321767-OB804QS363DJNZ4T8CN8/wilburton_223+%281%29.jpg</image:loc>
      <image:title>Scriptures as How to Behave as a Bird</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1727103322025-DICO42TU67WWQN6N7J8W/wilburton_227+%281%29.jpg</image:loc>
      <image:title>Scriptures as How to Behave as a Bird</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1727103322699-V26NST2G81DN912160KC/wilburton_229+%281%29.jpg</image:loc>
      <image:title>Scriptures as How to Behave as a Bird</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.museumofthecreativeprocess.com/gorski2</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-10-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/ab8f7548-80b1-42a5-8bbb-926ec72bf3d0/Mona%2BLisa%2Band%2BRocky.jpg</image:loc>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400680706070-9I3S1NKTSUG5QHGICYCD/Lovebugs_1.jpg</image:loc>
      <image:title>Gorski Gallery</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400680709761-37J2MX7R45FCA1X3EJC7/Lovebugs_2.jpg</image:loc>
      <image:title>Gorski Gallery</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1404227700608-KE062RA6A9H90YYBS30A/stresspainb.jpg</image:loc>
      <image:title>Gorski Gallery - Child of Darkness (Copy)</image:title>
      <image:caption>Child of Darkness Trauma/Stress This is Gorski's son. The child's mouth is highlighted but is silent. He is unable to communicate because he is autistic. His face is obscured by darkness and uncertainty of his feelings.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1404227727782-F0PKROF31MQUU0R23CW6/responsepainb.jpg</image:loc>
      <image:title>Gorski Gallery - Consumer, Consumed, Consumed, Consumed... (Copy)</image:title>
      <image:caption>Consumer, Consumed, Consumed, Consumed... Henry Gorski Role Assumption. Defense. The closed mouths burst open. The anger generates projection of the anger as the person is afraid of others' anger, the consumer is afraid of being consumed. One angry behavior generates endless reverberations of one's anger haunting one's unconscious.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400680801886-BGU0O75FTK2A8JS8D6SZ/Gorski_Odysseus_1964-1965.jpg</image:loc>
      <image:title>Gorski Gallery - Odysseus (Copy)</image:title>
      <image:caption>Odysseus Anticipated Role Reversal. Anxiety. The screaming person feels anxious and blocked. The explorer, Odysseus the space traveler, feels trapped. He has many instruments but he is blind. He is driving a vehicle but he is barred. He fears he is a prisoner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400700425447-YH75B2OKD7U3J2YQLIIP/defensepainb.jpg</image:loc>
      <image:title>Gorski Gallery - Walls of Fear (Copy)</image:title>
      <image:caption>Walls of Fear Counterphobic Role Assumption. Defense. The mouths gradually open up. We see the evolution without screaming and without fears, with almost a smile.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400700601973-26R9RRF1Z66HHVOY5E2V/reversalpainb.jpg</image:loc>
      <image:title>Gorski Gallery - Blocked (Copy)</image:title>
      <image:caption>Blocked Role Reversal. Man becomes dehumanized. He is is reduced to a machine comprised of switches, connections, and data storage.The paradox is in the stripe stating 'do not bend, twist, or mutilate'.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400680911405-644YGZH1UM8TVYW5BMLF/BirthOfAdam_KAM.jpg</image:loc>
      <image:title>Gorski Gallery - Birth of Adam (Copy)</image:title>
      <image:caption>Birth of Adam Compromise Role Assumption. Man is finally emerging from oppression; clarity is achieved in thought, and soon, voice. The colors are muted and gentle; the transformation is nearly completed. Thought is implied visually to be the tip of the iceberg; life has changed, and it is calm and serene.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1404227808167-LCENLVOSO1KMWVCIM3Q6/stresspolitical.jpg</image:loc>
      <image:title>Gorski Gallery - Astronaut (Copy)</image:title>
      <image:caption>Astronaut Stress. Role Oppression. Man trapped in his armor.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400700601839-C0BJSW21P0HKJOI7FI7Y/responsepolitical.jpg</image:loc>
      <image:title>Gorski Gallery - Snare (Copy)</image:title>
      <image:caption>Snare Response. Role Assumption. Man reaching beyond.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1404227845010-EPM29U1BJGBNSZTX95SZ/responsepolitical2.jpg</image:loc>
      <image:title>Gorski Gallery - Ship of Fools (Copy)</image:title>
      <image:caption>Ship of Fools Response. Role Assumption # 2. A wholesome thrust to emerge beyond the snare.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400700601811-9HO2P91OLXXMG41DVCKB/anxietypolitical.jpg</image:loc>
      <image:title>Gorski Gallery - Man of Letters (Copy)</image:title>
      <image:caption>Man of Letters Anxiety. Anticipated Role Reversal. Fears of being ensnared.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400700601631-GVH77OIE8B58M8GPA8XZ/defensepolitical.jpg</image:loc>
      <image:title>Gorski Gallery - The Committee (Copy)</image:title>
      <image:caption>The Committee Defense. Counterphobic Role Assumption. Eyes and gestures speak louder than words.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400700601631-CGM3O5TL0OTFTJ51NFHH/reversalpolitical.jpg</image:loc>
      <image:title>Gorski Gallery - The Double (Copy)</image:title>
      <image:caption>The Double Role Reversal. The inner man emerging, identity formation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400700601426-182AJJO6M3TA0VNXQR1E/compromisepolitical.jpg</image:loc>
      <image:title>Gorski Gallery - The Committee Men (Copy)</image:title>
      <image:caption>The Committee Men Compromise. Compromise Role Assumption. The men are less threatening, have true identities.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400700601427-4J8E5S9ZW3BROKJJZR4X/compromisepolitical2.jpg</image:loc>
      <image:title>Gorski Gallery - The Game (Copy)</image:title>
      <image:caption>The Game Compromise. Compromise Role Assumption #2. Political compromise is completed.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1404227895677-VC5FNTML0DAWH4W66SK4/stresseroticb.jpg</image:loc>
      <image:title>Gorski Gallery - Saja's Secret (Copy)</image:title>
      <image:caption>Saja's Secret Role Oppression. The forbidden kiss.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1404227960075-0R460Y2LQUHDWJCOH18K/responseeroticb.jpg</image:loc>
      <image:title>Gorski Gallery - Kiss # 1, Kiss # 2 (Copy)</image:title>
      <image:caption>Kiss # 1, Kiss # 2 Response. Role Assumption. Surrender into Passion.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1404228017933-I9R72694PLCPII6LPEZS/responseerotic2b.jpg</image:loc>
      <image:title>Gorski Gallery - Obsessed With Love (Copy)</image:title>
      <image:caption>Obsessed With Love Response. Role Assumption.   The mouth and kiss become the sole object of interest.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400700601300-LIUWUNK01WTP2NY5JEKA/anxietyeroticb.jpg</image:loc>
      <image:title>Gorski Gallery - Hyperbolic Bride (Copy)</image:title>
      <image:caption>Hyperbolic Bride Anxiety. Anticipated Role Reversal. The passionate kiss finds its target, a sexual fantasy. The kiss, the breasts, the flower, a rose...The objects of affection are forbidden. The mouth and breasts get concealed by circles of inhibitions. The rose remains exposed. Our hero is afraid of losing control.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1404228138442-3IBI54GFCKF3QDBZ4ZQF/anxietyerotic2b.jpg</image:loc>
      <image:title>Gorski Gallery - Apparition (Copy)</image:title>
      <image:caption>Apparition Anxiety. Anticipated Role Reversal. The tension builds up the closer one is to temptation. The person does not trust himself; he becomes self conscious.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400700601071-3RB1095IZGT89E4N3J5P/defenseeroticb.jpg</image:loc>
      <image:title>Gorski Gallery - The Rape of the Rose (Copy)</image:title>
      <image:caption>The Rape of the Rose Defense. Counterphobic Role Assumption. The body violates the soul.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1404228216235-83TRU1GQ0ZQFP9C7P24J/reversaleroticb.jpg</image:loc>
      <image:title>Gorski Gallery - Nowhere to Hide (Copy)</image:title>
      <image:caption>Nowhere to Hide Role Reversal. Feeling overwhelmed with guilt.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1404228254395-TD47CWRYTL37SUPF16Z2/compromiseeroticb.jpg</image:loc>
      <image:title>Gorski Gallery - Eye-Dentity (Copy)</image:title>
      <image:caption>Eye-Dentity Compromise Role Assumption. The safest love; surrendering to the cross.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1404228293044-6E3EUGGHN2WBLYE6HOSJ/compromiseerotic2b.jpg</image:loc>
      <image:title>Gorski Gallery - Crucifiction-Crucifixion (Copy)</image:title>
      <image:caption>Crucifiction-Crucifixion Compromise Role Assumption. Perfect interaction of passion and innocence.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400700601094-AHXFDI8ALXBIXO61NIYH/compromiseerotic3b.jpg</image:loc>
      <image:title>Gorski Gallery - Crucifiction-Crucifixion (Copy)</image:title>
      <image:caption>Crucifiction-Crucifixion Compromise Role Assumption. Perfect interaction of passion and innocence.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1404229205369-6N739T5J54D7P6A4RDOM/stresscareerb.jpg</image:loc>
      <image:title>Gorski Gallery - Vestigial Being (Copy)</image:title>
      <image:caption>Vestigial Being Trauma. Role Oppression. The Crucifix is tranformed into the sacrificial Mexican Athlete. Mexican athletes were asked to perform at and beyond their potential physical abilities, sacrificing health and safety for the good of the team and nation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1404229255271-V5Q8DEIQFX3PDE5LKY08/responsecareerb.jpg</image:loc>
      <image:title>Gorski Gallery - Wind-Up (Copy)</image:title>
      <image:caption>Wind-Up Response. Role Assumption. Pure athletic aggression; free of conflict. Powerful, determined, parallel lines and complementary colors indicate focus and skill.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400680818853-0GD5Z0VTP5XECKX1EX1C/Blocked_KAM.jpg</image:loc>
      <image:title>Gorski Gallery - Blocked (Copy)</image:title>
      <image:caption>Blocked Anxiety. Anticipated Role Reversal. The person as an athlete fears losing his identity by becoming a uniform with a number. He feels trapped and closed in overwhelmed by other dehumanized figures.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1404226987122-T3ZK6RFCQ6K4A5BN8GP0/defensecareerb.jpg</image:loc>
      <image:title>Gorski Gallery - Through the Hole (Copy)</image:title>
      <image:caption>Through the Hole Defense. Counterphobic Role Assumption. Man is obsessed with victory and steps over other people; breaks through the trapped anxiety to become self.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1404229355483-EJ1C7C3M2OCNQ1T2J5UK/reversalcareerb.jpg</image:loc>
      <image:title>Gorski Gallery - Winner Take All (Copy)</image:title>
      <image:caption>Winner Take All Outcome. Role reversal. Triumph or illusion; success is reached, beauty is achieved. Rocky Balboa and Mona Lisa, figures of beauty and ultimate status, appear to be happy. The helmet on Rocky's head, however, shows his inability to communicate his true desire for love, not appearance; his voice is silenced.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1404229393563-0CORLYY1289GFIRLA3NC/compromisecareerb.jpg</image:loc>
      <image:title>Gorski Gallery - Love Triangle (Copy)</image:title>
      <image:caption>Love Triangle Compromise. The illusion of a kiss. The painting also has a faux frame. The entire context of the viewing experience is illusary; unreal. It is removed from reality, an appropriate resolution to the overwhelming stress of the Vestigial Being.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1404229438159-4FETT982KAM1AV89PQHP/compromisecareer2b.jpg</image:loc>
      <image:title>Gorski Gallery - Manuel with Bird (Copy)</image:title>
      <image:caption>Manuel with Bird Compromise. Compromise Role Assumption. Life is a world of illusions. The blue bird, the bird of happiness, this unfortunate person has in his hand is actually on his T shirt.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400680794241-LUWTAZXHTC2IDR33YBA0/Gorski_Shadow_Play_1984.jpg</image:loc>
      <image:title>Gorski Gallery - Shadow Play (Copy)</image:title>
      <image:caption>Shadow Play Compromise. The artist is creating his world, painting himself not as a true representation, but as a shadow; referencing Plato's Allegory of the Cave, in which reality is not as it seems. The shadow is living in the "real world," but the direction of the sun makes it apparent that the real world is nothing but illusion.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.museumofthecreativeprocess.com/mural1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1403553872835-AR2FWBQTMGR1OSXUV2SX/mural11.jpg</image:loc>
      <image:title>Mural1 - 1. Stress (Copy)</image:title>
      <image:caption>1. Stress Following their union, Father Sky threw his children into Tartarus (Hell), to the dismay of his wife, Mother Earth.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1403552758970-Q66K92ISL9KF9KJX4ZRF/mural12.jpg</image:loc>
      <image:title>Mural1 - 2. Response (Copy)</image:title>
      <image:caption>2. Response Mother Earth armed Chronos, her youngest son, with a flint sickle. Chronos castrated his father. Father Sky's severed phallus falling on the water was transformed into the beautiful Aphrodite.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1403553872827-P4R3TCDWIDR7R22XCLCZ/mural13.jpg</image:loc>
      <image:title>Mural1</image:title>
      <image:caption>3. Anxiety: Dying Father Sky cursed Chronos to be killed in his turn by his children, the Olympians. Chronos panicked at the sight of his children.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1403552758907-4UDCC2GOBS1UEC1TWDGN/mural14.jpg</image:loc>
      <image:title>Mural1</image:title>
      <image:caption>4. Defense: Upon their birth, out of fear of being killed by them, Chronos devoured the Olympian children.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1403553873343-JDP6T9Y22VW0X0FVXPMB/mural15.jpg</image:loc>
      <image:title>Mural1</image:title>
      <image:caption>5. Role Reversal: Mother Rhea hid her youngest, Zeus, from his father. Zeus grew up, freed his brothers, Ares and Poseidon, and the three killed their father. Ares, hidden in his helmet of darkness, disarmed Chronos, Poseidon with his trident pinned him down, and Zeus finished him off with a lightning bolt.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1403552758843-TS9T80I8JHD7I2QLC5Q7/mural16.jpg</image:loc>
      <image:title>Mural1</image:title>
      <image:caption>6. Compromise: Dying Chronos cursed Zeus to be killed in turn by his child. Zeus, scared of this predicament, swallowed his wife Meti as soon as she became pregnant. A few months later, Hephestus, the smith, opened his skull, and Zeus' daughter Athena emerged. His screams and curses shook the universe.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1403553873348-3Y5EFDYP77FESZOLJ2QB/mural17.jpg</image:loc>
      <image:title>Mural1</image:title>
      <image:caption>Rest: Athena was born dressed like a warrior to pretect herself from men and the curse of being killed by her children. Yet Athena was raped by Hephastus and had a son, Erichthonius, whom she prompty got rid of by putting him in foster placement. Having come of age, to appease his mother, Erichthonius built her a temple on the Acropolis. Athena, reassured, gave to Athers her olive tree and her owl.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.museumofthecreativeprocess.com/mural2</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1403554074818-BVO46UI6TS3GKQSFNEAQ/flag.gif</image:loc>
      <image:title>Mural2</image:title>
      <image:caption>Mural 2: The Flag of the United Metaphors of the World    The formal methodology reconciles the diversity of value systems by showing that the mental heart beat--the Unit--is their common denominator. This reconciliation is illustrated in this revised American flag. Its stars are the formally interrelated, world moral paradigms, and its stripes are the universal but modifiable unit process. The stars, in the top-left, present the metaphors in their formal interrelationship. 2 displays the evolution from art to science. 3 displays the unit in its cross-generational transmission. 4 shows the unit's cross-cultural variability.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.museumofthecreativeprocess.com/mural4</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1403554613399-0QS3G5QE8CNDVR5T601V/mural41.jpg</image:loc>
      <image:title>Mural # 4 - STRESS (Copy)</image:title>
      <image:caption>STRESS Stress is identified by the Memories Test. It represents my recollection of World War II as "The War of the Metaphors," the war of multiple cultural conflicts endangering everybody's survival.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1403554571533-69T8068V5PP0CEK7Z90Z/mural42.jpg</image:loc>
      <image:title>Mural # 4 - RESPONSE (Copy)</image:title>
      <image:caption>RESPONSE Response is identified by the Mask Test, which reveals a person's identity. I chose the image of the runaway Pinocchio, the wooden puppet lying about his identity, fleeing the killer whale of hot ideologies pursuing naive consumers.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1403554635206-W4G9W6GJXCC0D6IXGAF4/mural43.jpg</image:loc>
      <image:title>Mural # 4 - ANXIETY (Copy)</image:title>
      <image:caption>ANXIETY Anxiety is identified by the Behind the Mask Test. It presents Pinocchio trapped in the stomach of the killer whale with his creator, Geppetto. My Pinocchio is showing the Unit of the Conflict Resolution Process to Geppetto. This discovery has transformed him from a puppet into a true human.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1403554905040-2VK0Q0WV7L7T5VXU0LT0/mural44.jpg</image:loc>
      <image:title>Mural # 4 - DEFENSE (Copy)</image:title>
      <image:caption>DEFENSE Defense is identified by the Animal Metaphor Test. Here, the Formal Theory Oedipus is offering the Sphinx an olive branch--Conflict Resolution--as the new answer to the everlasting riddle on the nature of man.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1403555028575-N26FZ2MXYKSKH9JUGAER/mural45.jpg</image:loc>
      <image:title>Mural # 4 - REVERSAL (Copy)</image:title>
      <image:caption>REVERSAL Role Reversal is identified by the Dream Test. It presents the daydream of my family working as a team delivering hospitality and wisdom to fellow travelers on the patio of the Art to Science Project, the Wilburton Inn.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1403555049772-WTY7HLOQ58KIKAZYM5UU/mural46.jpg</image:loc>
      <image:title>Mural # 4 - COMPROMISE (Copy)</image:title>
      <image:caption>COMPROMISE Compromise is identified by the Short Story Test. My Judaic passion for jusice and my Greek respect for reason as the fiddler on the temple roof unites the world metaphors in the cosmic dance of an universal moral order.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.museumofthecreativeprocess.com/creativity-for-self-discovery</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1411998357512-T8WBQZGV9ACR5FVHPVM4/wilburton_056.jpg</image:loc>
      <image:title>Creativity for Self-Discovery</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1411998371815-054A70ROH3REJEOY7ID1/wilburton_057.jpg</image:loc>
      <image:title>Creativity for Self-Discovery</image:title>
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      <image:title>Creativity for Self-Discovery</image:title>
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      <image:title>Creativity for Self-Discovery</image:title>
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      <image:title>Creativity for Self-Discovery</image:title>
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      <image:title>Creativity for Self-Discovery</image:title>
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  </url>
  <url>
    <loc>https://www.museumofthecreativeprocess.com/wizard</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1410750145380-MBKRYXMPIIGRMELMZ951/wizard.png</image:loc>
      <image:title>Sculptural Trail - The Crying Wizard (Copy)</image:title>
      <image:caption>The Crying Wizard The cycle begins with a dialogue between the sad wizard, a teary-eyed Easter Island head, and wisdom, the purple scale representing science. Wizard: Why is the world in spite of all my stories not living happily ever after? Wisdom: Do not despair. The secrets to happiness are in all stories, but instead of believing the stories like the fanatics do, think like a scientist and examine what is universal in all stories, their plot; there you will see the wisdom of the secrets of living happily ever after.</image:caption>
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      <image:title>Sculptural Trail - Conflict: The Lady and the Dragon (Copy)</image:title>
      <image:caption>Conflict: The Lady and the Dragon The conflict: a fair lady is surrounded by three dragons presenting conflict as the state of passivity, antagonism and alienation.  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1410750130541-1CV8HE5HJUS1L4MW0T2V/dragons.png</image:loc>
      <image:title>Sculptural Trail - Conflict: The Lady and the Dragon (Copy)</image:title>
      <image:caption>Conflict: The Lady and the Dragon The conflict: a fair lady is surrounded by three dragons presenting conflict as the state of passivity, antagonism and alienation. Conflict: The Lady and the Dragon</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1410750138303-ZOFU67RO4FXL3OO2I7L5/possibledream.png</image:loc>
      <image:title>Sculptural Trail - Resolution: Happily Ever After (Copy)</image:title>
      <image:caption>Resolution: Happily Ever After The resolution is presented across the driveway: two sculptures by Bill Harby, ‘the Kiss and the Embrace’, and two red ones by Suzan Benton ‘Don Quixote and Dulcinea’, illustrating resolution as the formal counterparts: mastery, cooperation and mutual respect.   </image:caption>
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      <image:title>Sculptural Trail - Resolution: Happily Ever After (Copy)</image:title>
      <image:caption>Resolution: Happily Ever After The resolution is presented across the driveway: two sculptures by Bill Harby, ‘the Kiss and the Embrace’, and two red ones by Suzan Benton ‘Don Quixote and Dulcinea’, illustrating resolution as the formal counterparts: mastery, cooperation and mutual respect.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Sculptural Trail - Resolution: Happily Ever After (Copy)</image:title>
      <image:caption>Resolution: Happily Ever After The resolution is presented across the driveway: two sculptures by Bill Harby, ‘the Kiss and the Embrace’, and two red ones by Suzan Benton ‘Don Quixote and Dulcinea’, illustrating resolution as the formal counterparts: mastery, cooperation and mutual respect.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1534702558052-QF75G7H636S713IIHRIX/wilburton_030.jpg</image:loc>
      <image:title>Sculptural Trail - THE THREE PRINCIPLES OF CONFLICT RESOLUTION (Copy)</image:title>
      <image:caption>THE THREE PRINCIPLES OF CONFLICT RESOLUTION Opposition: Cooperation versus antagonism.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1534702654199-JT5E63TB5ZHF132KFNHQ/wilburton_031.jpg</image:loc>
      <image:title>Sculptural Trail - THE THREE PRINCIPLES OF CONFLICT RESOLUTION (Copy)</image:title>
      <image:caption>THE THREE PRINCIPLES OF CONFLICT RESOLUTION Reciprocity: Passivity versus activity.</image:caption>
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      <image:title>Sculptural Trail - THE THREE PRINCIPLES OF CONFLICT RESOLUTION (Copy)</image:title>
      <image:caption>THE THREE PRINCIPLES OF CONFLICT RESOLUTION Correlation: Alienation versus mutual respect.</image:caption>
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      <image:title>Sculptural Trail - THE THREE PRINCIPLES OF CONFLICT RESOLUTION (Copy)</image:title>
      <image:caption>THE THREE PRINCIPLES OF CONFLICT RESOLUTION</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1534702824490-XXY6WGNOBIPC5T6BBH7E/marblemirror.png</image:loc>
      <image:title>Sculptural Trail - The Symbolic System (Copy)</image:title>
      <image:caption>The Symbolic System Bill Harby arranged three groups of marble rocks and a single head stone, all with mirrors on one aspect of the massive stones. I interpret them as illustrating the three acts structure of the Conflict Resolution Process culminating to the single stone as the resolution. The mirrors symbolize the self-reflexiveness of the creative process. I call this sculpture Genesis, and its Greek equivalent, the Teleion Holon Greek for the Perfect Universe.</image:caption>
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  </url>
  <url>
    <loc>https://www.museumofthecreativeprocess.com/prometheus-atlas-pandora-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1727103501477-I412QQJCUPOV7BKTQ5F4/E961450D-FFFC-4925-9769-9E27788F9779%2B%281%29.jpg</image:loc>
      <image:title>Prometheus, Atlas, Pandora - Prometheus  (Copy)</image:title>
      <image:caption>Prometheus Prometheus' Fire is about detecting a pattern of conflict resolution, mothers and sons killing fathers, repeated three times in the Greek creation stories. Prometheus informed Zeus about the pattern. He changed the pattern eliminating his wife, Metis and he rewarded Prometheus by giving him Pandora as a wife.</image:caption>
    </image:image>
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      <image:title>Prometheus, Atlas, Pandora - Pandora (Copy)</image:title>
      <image:caption>Pandora Pandora’s box of hopes and fears is a metaphor for a woman's uterus delivering a child who can love you or kill you, depending on how you treat it. The alternative types of children are indicated by the signs of the deck of cards, the apple metaphors, the four heroes of the Wizard of Oz story.</image:caption>
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      <image:title>Prometheus, Atlas, Pandora - Closeup (Copy)</image:title>
      <image:caption>Closeup</image:caption>
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      <image:title>Prometheus, Atlas, Pandora - Closeup (Copy)</image:title>
      <image:caption>Closeup</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1727103504537-MM6VOKFDAA4U87352GLZ/IMG_0592.jpg</image:loc>
      <image:title>Prometheus, Atlas, Pandora - Prometheus as Atlas (Copy)</image:title>
      <image:caption>Prometheus as Atlas Prometheus as Atlas holds the unconscious inscribed with the laws of science determining humans’ need for conflict resolution, morality. The Jewish Mezuzah attributes morality to the oneness of God. Atlas’ box, the Greek Mezuzah, attributes moral order to two formulas of science, thus clearly spelling the name of God.</image:caption>
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      <image:title>Prometheus, Atlas, Pandora</image:title>
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      <image:title>Prometheus, Atlas, Pandora - Closeup (Copy)</image:title>
      <image:caption>Closeup</image:caption>
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  </url>
  <url>
    <loc>https://www.museumofthecreativeprocess.com/the-iliad-and-the-odyssey</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-12-25</lastmod>
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      <image:title>The Iliad and the Odyssey - Zeus and Hera (Copy)</image:title>
      <image:caption>Zeus and Hera Zeus with Ios on his lap, defining patriarchy as a man having multiple affairs. Angry Hera, Zeus’ wife, is holding two snakes with which she wants to kill Hercules, Zeus’ extramarital son.</image:caption>
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      <image:title>The Iliad and the Odyssey - Hera Standing on a Cow (Copy)</image:title>
      <image:caption>Hera Standing on a Cow</image:caption>
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      <image:title>The Iliad and the Odyssey - Athena Sprouting from Zeus' Head  (Copy)</image:title>
      <image:caption>Athena Sprouting from Zeus' Head Upon eating pregnant Metis, Zeus gave birth to Athena, born out of his head, nearly killing him.</image:caption>
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      <image:title>The Iliad and the Odyssey - Athena  (Copy)</image:title>
      <image:caption>Athena Athena is presented in her identity as prepared for a fight defending virginity; She has a shield portraying the head of Medusa. She is presented as the woman who is wise and empowered.</image:caption>
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      <image:title>The Iliad and the Odyssey - Aphrodite  (Copy)</image:title>
      <image:caption>Aphrodite The Homeric drama begins with Aphrodite seeking the apple inscribed to the fairest. This is a symbol of antagonism. To win the apple the goddess chose to offer to Paris a woman who had taken the vows of fidelity challenging the power of patriarchy in domesticating women.</image:caption>
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      <image:title>The Iliad and the Odyssey - Closeup (Copy)</image:title>
      <image:caption>Closeup</image:caption>
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      <image:title>The Iliad and the Odyssey - Paris Carrying the Apple and the Fairest  (Copy)</image:title>
      <image:caption>Paris Carrying the Apple and the Fairest Paris accepted the award, a married woman, but paid the price of a war that destroyed Troy.</image:caption>
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      <image:title>The Iliad and the Odyssey - Clytemnestra and Owl  (Copy)</image:title>
      <image:caption>Clytemnestra and Owl The Iliad, an epic about violating the vows, ends as a tragedy. Agamemnon, the leader of the war, upon his homecoming was murdered by his wife, Sphinx-looking Clytemnestra and Aegisthus, her lover.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1727102985321-UO6KWUFKLCUOEX4F9FDV/Clytemnestra%2Bby%2BPiper%2BStrong.jpeg</image:loc>
      <image:title>The Iliad and the Odyssey - Closeup (Copy)</image:title>
      <image:caption>Closeup</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1727102984130-RAUFJU9CEZRORLS6ESH8/Blood%2Bon%2Bthe%2Bhands.jpeg</image:loc>
      <image:title>The Iliad and the Odyssey - Orestes and Electra  (Copy)</image:title>
      <image:caption>Orestes and Electra The tragedy was compounded as Clytemnestra was in her turn murdered by her children: Electra, her daughter and Orestes, her son.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1727102994753-UMPLT1QYYC9U5GQMGC88/Odysseus%2Btied%2Bto%2Bmast.jpeg</image:loc>
      <image:title>The Iliad and the Odyssey - Odysseus Tied to the Mast  (Copy)</image:title>
      <image:caption>Odysseus Tied to the Mast The Odyssey, unlike the Iliad, has a happy ending. Odysseus stays faithful to Penelope, tying himself to the mast and resisting the temptation of the sirens. Penelope like Athena guards her virginity weaving a shroud. The message for the culture is women persevering, respecting the concept of the vows, as fidelity, loyalty to their husbands</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1727102992320-0AF33UEU4O8IRM2JSUVI/IMG_0612.jpg</image:loc>
      <image:title>The Iliad and the Odyssey - The Homecoming: Telemachus, Penelope, Odysseus, and Argos (Copy)</image:title>
      <image:caption>The Homecoming: Telemachus, Penelope, Odysseus, and Argos The next installation celebrates Odysseus' homecoming; he is welcomed by Penelope, his faithful wife, respectful son Telemachus and his loyal dog Argos.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1727102990214-UMRJSODZWM42RKIO1ZZS/IMG_0611.jpg</image:loc>
      <image:title>The Iliad and the Odyssey - The Greek Gods Arriving to Celebrate The Vows (Copy)</image:title>
      <image:caption>The Greek Gods Arriving to Celebrate The Vows A boat of Olympian gods brings presents to the couple celebrating the vows as the key to resolving marital conflicts.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1727102994281-TCSGS0R0G6VDFE8GFMZQ/Odysseus%2Bface.jpeg</image:loc>
      <image:title>The Iliad and the Odyssey - Telemachus (Copy)</image:title>
      <image:caption>Telemachus</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1727199927067-ECLQJ0SDM3DMDR2LCG78/IMG_0678.jpg</image:loc>
      <image:title>The Iliad and the Odyssey</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1727102996058-9A7KYZ2K4H8C0CVM696K/Telemechus.jpeg</image:loc>
      <image:title>The Iliad and the Odyssey - Odysseus upon Homecoming (Copy)</image:title>
      <image:caption>Odysseus upon Homecoming</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1727102993492-VFGBAGHVQX508OV04L1O/Jetson%2Band%2BArgos%2B1.jpeg</image:loc>
      <image:title>The Iliad and the Odyssey - Argos and Jetson (Copy)</image:title>
      <image:caption>Argos and Jetson</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.museumofthecreativeprocess.com/the-holocaust-memorial-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1727103120899-2PBDN53K0MFRY06VCCVP/wilburton_222.jpg</image:loc>
      <image:title>The Holocaust Memorial - The Bride and The Groom  (Copy)</image:title>
      <image:caption>The Bride and The Groom This holocaust memorial does not memorialize atrocities. It explores what we learn from history; the insight is that stories mislead. The memorial consists of several installations that represent stories that have created conflicts rather than resolutions. The message at the end of the memorial presents the need for a paradigm shift, moving from stories that divide us to the recognizing the plot of stories as the unifying science-based moral paradigm. The white sculptures are a metaphor for the loving relationship between the book, the Torah, and ‘the People of the Book’. The tall figure, the groom, is a rabbi. He has a big nose, a scroll on his shoulder and a hand pointing to Jerusalem. The smaller sculpture resembles a book. It is the Torah, a book that is loved like a bride. Bride is a good metaphor for the deep love of the book, the words of God. Indeed love of women was modeled by the love of the Bible.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1727103117938-YX1NFEZPV72SK5ITULON/nazi%2Bstation.png</image:loc>
      <image:title>The Holocaust Memorial - Monument to Hitler  (Copy)</image:title>
      <image:caption>Monument to Hitler A bleak installation presents the deadly destructiveness of Hitler’s ideology. He justified his actions by proclaiming pseudo-scientific evidence of the racial inferiority of the Jews.. This monument consists of a pyramid of violated safe deposit boxes, featuring Hitler on the top box, 'ueber alles', behind bars. The uber ales pyramid is surrounded by furnaces; one of them has a swastika,</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1727103119575-J6SH8531OIW4IP1Z1O94/Sculpture%2B014.jpeg</image:loc>
      <image:title>The Holocaust Memorial - Closeup (Copy)</image:title>
      <image:caption>Closeup</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1727103120467-L86CT2YD2Q696JYQ4BTX/russian%2Bstation.png</image:loc>
      <image:title>The Holocaust Memorial - Monument to Marx  (Copy)</image:title>
      <image:caption>Monument to Marx Marx’s socialism justified the war of classes, the revolt of the proletariat against the capitalists. The monument for Marx features fine Russian metal sculptures by Nicolai Melnikoff. They are on top of three sets of red violated deposit boxes: the first sculpture presents the hands of Armageddon holding weapons, the second, the hand of the crucifix giving a blessing, while a peg goes through his hand, and the third is a nutcracker waving a sword while the king of the rats emerges from his cannon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1727103117238-PUH5YDFLUF04NNYGGN1H/IMG_0571+%281%29.jpg</image:loc>
      <image:title>The Holocaust Memorial</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1727103115815-5B9UNP8J6O4BUOGVKS3I/IMG_0569+%281%29.jpg</image:loc>
      <image:title>The Holocaust Memorial - Monument to Freud (Copy)</image:title>
      <image:caption>Monument to Freud Freud’s station features two chapels, one for Venus and the other for Penis misidentifying the unconscious as driven to generation of conflict rather than resolution. Marx and Freud, the two Jewish thinkers, inspired revolutions during the 20th century. Marx sought to reduce financial inequities, Freud sought to reduce mental illness caused by the repression of emotions. Both introduced social revolutions that upset the conservative public and generated antisemitism.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1727103114164-SP8HXPO0ZNQX0OUY75HN/IMG_0559+%281%29.jpg</image:loc>
      <image:title>The Holocaust Memorial - Jacob's Ladder (Copy)</image:title>
      <image:caption>Jacob's Ladder This memorial has a positive message. While stories mislead, we are pointing out conflict resolution upon a shift of paradigms from stories to what is universal in all stories-- the plot. We're introducing the unconscious creative process as driven by the need to resolve conflict as manifested in all stories. We associate the shift of paradigms with Prometheus stealing the fire of the gods, also illustrated with Jacob wrestling with God. In our contemporary reality, this is the role assumed by Gorbachov who was able to demystify communism-- a story-- by pointing out the need for openness and restructuring. He freed us from communism, unfortunately without providing the public with an alternative moral paradigm. This is the role of the formal theory ushered in by this holocaust memorial.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1727123401526-EQF5AKIGPKT7GNGUEP30/IMG_0563%2B%25281%2529.jpg</image:loc>
      <image:title>The Holocaust Memorial - Gorbachov Closeup (Copy)</image:title>
      <image:caption>Gorbachov Closeup</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1727103115595-FC1WVSC7Y08K0HO8FZF8/IMG_0568+%281%29.jpg</image:loc>
      <image:title>The Holocaust Memorial - The Formal Theory Dog (Copy)</image:title>
      <image:caption>The Formal Theory Dog The wolf represents my cautioning the believers of stories as naive.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.museumofthecreativeprocess.com/new-gallery</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1403558288628-HTWC7GO8SM60L43GY5SV/1graph.jpg</image:loc>
      <image:title>Mural Collections</image:title>
      <image:caption>Mural 1: Three Creation Stories Reveal How the Mind Proceeds From Chaos to Order; From Conflict to Resolution    Three creation stories; the Greek cosmonogy, the Oriental yin-yang, and the Bible's six days of creation, have an identical structure. The Formal Theory suggests that this structure, the Conflict Resolution Process, is the unit of unconscious moral order.    Hun-tun, Chinese for chaos, was divided into two interactive entities, the yin (the earth below), and the yang (the sky above). The Greek creation also started with the interaction of the Earth below and the Sky above.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1403558138159-MKXJINKSG251X0YWZDPA/5graph.jpg</image:loc>
      <image:title>Mural Collections</image:title>
      <image:caption>Mural 5: Our Cultural Metaphors as a Continuum of Evolving Moral Order Validation #3: From Matriarchy to Messianism</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1403558288700-ET4P4HAW0EXVMHNTDZKF/4graph.jpg</image:loc>
      <image:title>Mural Collections</image:title>
      <image:caption>Mural 4: My Metaphors, Myself: 1983 Validation #2: Here, six metaphor creation tests help to reconstruct the personal six-role Conflict Resolution Process. The experimentally derived sequence validates the theory by showing that parts are formally interrelated within the dramatic totality. This totality also tells how its author, Dr. Albert Levis, evolved from a stress, "The War of Metaphors," through his response, anxiety, defense, reversal, to the compromise of "The Reconciliation of the Metaphors."</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.museumofthecreativeprocess.com/sanctuary</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-10-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/80e6d436-0c92-435a-8346-5b104b467cc7/20250821_1011_Joyful+Swing+Ride_remix_01k36fc1g0eb3thmppm0q0090m.png</image:loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400802558520-7VSOV6T3ILMYGH4S67I8/Screen+shot+2014-05-22+at+7.48.59+PM.png</image:loc>
      <image:title>Sanctuary of the Unit</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400802344876-0YFD3O7VM9BHWJ5WOI4L/Screen+shot+2014-05-22+at+7.32.23+PM.png</image:loc>
      <image:title>Sanctuary of the Unit</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400802342097-KN86P9GK6C7YXK11TXIB/Screen+shot+2014-05-22+at+7.33.11+PM.png</image:loc>
      <image:title>Sanctuary of the Unit</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400802342111-XYKUG02NWJUZGJFL114N/Screen+shot+2014-05-22+at+7.36.21+PM.png</image:loc>
      <image:title>Sanctuary of the Unit</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400802339189-Q0V4397JV61LO3M314WF/Screen+shot+2014-05-22+at+7.36.50+PM.png</image:loc>
      <image:title>Sanctuary of the Unit</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400802339352-RZP7J505MT4UJWXLAMHL/Screen+shot+2014-05-22+at+7.37.27+PM.png</image:loc>
      <image:title>Sanctuary of the Unit</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400802336693-4HDHYX2564H2XD7HI0OO/Screen+shot+2014-05-22+at+7.38.29+PM.png</image:loc>
      <image:title>Sanctuary of the Unit</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400802336246-RS7QJFVIISVNXQHZVUTZ/Screen+shot+2014-05-22+at+7.38.52+PM.png</image:loc>
      <image:title>Sanctuary of the Unit</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400802334216-8F0SFVDZLLW4WGDTMVDU/Screen+shot+2014-05-22+at+7.39.13+PM.png</image:loc>
      <image:title>Sanctuary of the Unit</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1594659386333-DKESB390ACWU4QUM8Y1U/image-asset.jpeg</image:loc>
      <image:title>Sanctuary of the Unit - Piety (Copy)</image:title>
      <image:caption>Piety</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400802333270-8BXSFM4DM14DWA0R4A28/Screen+shot+2014-05-22+at+7.39.39+PM.png</image:loc>
      <image:title>Sanctuary of the Unit</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400802479933-J5ZKOEM0GFUW3AD3ITSG/Screen+shot+2014-05-22+at+7.47.14+PM.png</image:loc>
      <image:title>Sanctuary of the Unit</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.museumofthecreativeprocess.com/mural5</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1403554982084-81FFHH7AB3WK60NWCLIE/mural51.jpg</image:loc>
      <image:title>Mural5</image:title>
      <image:caption>Stress: The Mexican eagle immobilizing and devouring a snake represents Matriarchy's omnipotent mother intimidating her weak partners and children.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1403554982770-48QSX58S8U3IA9PEAUEQ/mural54.jpg</image:loc>
      <image:title>Mural5</image:title>
      <image:caption>Response: Greece's Oedipus, outwitting and dominating the Sphinx monster and marrying his mother represents Partiarchy's Greek snake man rising to power over women.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1403554982807-Z2LZ5QFW39XI4MFYK6CO/mural55.jpg</image:loc>
      <image:title>Mural5</image:title>
      <image:caption>Anxiety: Women return to power through Hinduism's moral discovery of cooperation. Six-armed Siva as the cooperative man stepping on a child-like self. His own sexuality is cancelled and irrelevant.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1403554982630-MFS0XFNNOWX9H5RWWGDX/mural52.jpg</image:loc>
      <image:title>Mural5</image:title>
      <image:caption>Defense: The moral ascendance of men over women is reflected in the sacredness of snakes, flying dragons, and feathered serpents, gradually identified with the worship of the sun and the single male god.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1403554982896-S4DGVNU186NJ1I7BI1Q8/mural56.jpg</image:loc>
      <image:title>Mural5</image:title>
      <image:caption>Reversal: The comeback of women as seductive Eve reducing Adam to a charmed snake backfired on women. It evoked the father-son alliance; a monotheistic male dominated moral order.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1403554982654-PGK2JYJRFJ3WS15ZFIBP/mural53.jpg</image:loc>
      <image:title>Mural5</image:title>
      <image:caption>Compromise:Christianity's virgin mother and self-sacrificial child, Islam's crescent and star, reflect the shift of power balance from Judaism's father-son Covenant to Messianism's mother-infant spiritual alternative.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.museumofthecreativeprocess.com/personal-odyssey-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1727106065437-ZC1OF2YI3IA9Y4WNQC4T/IMG_0619.jpg</image:loc>
      <image:title>Personal Odyssey - Stress: Nest Under Siege (Copy)</image:title>
      <image:caption>Stress: Nest Under Siege Stress: The Stress state is illustrated with Conflictual Memories. The installation captures my childhood as nests besieged. As a child I was aware of much conflict and in particular of being Jewish in a very hostile environment. I wondered about my identity. Who am I? A Jew or a Christian? Albert or Nicklass? What are religions and ideologies about?</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1727106067123-AQW401ZA3MQ5USJPHQ6T/IMG_0621.jpg</image:loc>
      <image:title>Personal Odyssey</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1727106067820-58ZOGCB8TQC8BHU4IEYN/IMG_0622.jpg</image:loc>
      <image:title>Personal Odyssey</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1727106069659-EWBHTV9FCR8XMY9XVTD8/IMG_0626.jpg</image:loc>
      <image:title>Personal Odyssey - Response: My Identity as a Thinking Skiier  (Copy)</image:title>
      <image:caption>Response: My Identity as a Thinking Skiier 2. Response: This role-state is illustrated by the Mask Test portraying one’s identity. The art presents skiers in a Stratton Gondola. The internal exhibit represents a conflict, as the struggle of an emancipated slave rebelling at his master. While having fun in VT. I could not forget the reality of my childhood years. How do we solve the conflicts of religions and ideologies at war with each other?</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1727106070401-WYACTRFSTYNA2TXAFD8L/IMG_0627.jpg</image:loc>
      <image:title>Personal Odyssey</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1727106071166-D0BF1QEJIL9XYS1SB9XT/IMG_0630.jpg</image:loc>
      <image:title>Personal Odyssey - Anxiety as Hope: Eureka, The Formal Theory as a scientific explanation.  (Copy)</image:title>
      <image:caption>Anxiety as Hope: Eureka, The Formal Theory as a scientific explanation. 3. This role-state is captured by the Image Behind the Mask. This installation symbolizes the discovery of the unconscious as a dialectic of emotions illustrated here by a spiral. The sculpture represents the scientific moral paradigm. The anxiety is about the correctness of the hypothesis. How do we test the premise?</image:caption>
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      <image:title>Personal Odyssey</image:title>
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      <image:title>Personal Odyssey - Defense: The Garden of Eden, My Rooster's Dilemma   (Copy)</image:title>
      <image:caption>Defense: The Garden of Eden, My Rooster's Dilemma 4. Defense: I developed the Animal Metaphor Test as the means of identifying how the mind resolves conflict. Using metaphors sampling creativity validated the theory by identifying stories reflecting the person’s conflict resolution process. The test identifies my conflicts as a rooster in conflict between being a good leader versus being selfish, waking people up and also seeking adventures. Metaphors validated the conflict resolution nature of the unconscious.</image:caption>
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      <image:title>Personal Odyssey</image:title>
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      <image:title>Personal Odyssey</image:title>
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      <image:title>Personal Odyssey</image:title>
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      <image:title>Personal Odyssey - Reversal: The Formal Theory has been Validated  (Copy)</image:title>
      <image:caption>Reversal: The Formal Theory has been Validated 5. Reversal: This state is illustrated with a Dream Metaphor. The art shows the positive outcome, the reconciliation of the humanities and the sciences, symbolized by the farm implements and three big colorful orbs images of my life events in their symbolic representation.</image:caption>
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      <image:title>Personal Odyssey - Compromise: My rooster playing Moral Monopoly with the Gods.  (Copy)</image:title>
      <image:caption>Compromise: My rooster playing Moral Monopoly with the Gods. 6. Compromise: This role-state is illustrated by a Short Story Metaphor. The Formal Theory rooster as a leader heals the divinities playing the card game of cultural stories allowing the integration of religions as partial and complementary discoveries of science, completed now by the formal analysis of stories.</image:caption>
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      <image:title>Personal Odyssey</image:title>
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      <image:title>Personal Odyssey</image:title>
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      <image:title>Personal Odyssey</image:title>
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      <image:title>Personal Odyssey</image:title>
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      <image:title>Personal Odyssey</image:title>
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      <image:title>Personal Odyssey</image:title>
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  </url>
  <url>
    <loc>https://www.museumofthecreativeprocess.com/epics-of-the-goddess</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-11-19</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1410551787947-K1RW2YK6XAXRNM8RBKLD/mexico_1.png</image:loc>
      <image:title>Epics of The Goddess: Psychology as a Science - STRESS: MATRIARCHY IN MEXICO  (Copy)</image:title>
      <image:caption>STRESS: MATRIARCHY IN MEXICO Quatlique is a mother afraid of her daughter as her rival. She has her son, the Sun, kill his sister, the Moon, dismember her body. She further required life sacrifices to postpone the impending fifth destruction of the universe as predicted in the Aztec Calendar.</image:caption>
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      <image:title>Epics of The Goddess: Psychology as a Science - The Sphynx, Response: The Discovery of Mastery.  (Copy)</image:title>
      <image:caption>The Homeric Epics, the Iliad and the Odyssey, present patriarchy domesticating matriarchy’s powerful women. Greece discovered mastery of men over women as the way of resolving domestic conflicts. Helen of Troy, presented as a Sphinx, ‘The fight and flight woman’, the woman who does not resolve conflicts, was a matriarch, who had ten lovers. Greek men confronted her and demanded that she choose one among them. She chose Menelaus of Sparta. But then she flew the coop with Paris of Troy. The Iliad is about 1000 ships of Greek men fighting a war to capture Helen of Troy, the run-away wife. The Odyssey is about a man fighting single handedly the power of women. Characteristically he had his sailors bind him on the mast of their boat, so he can listen to the sirens without yielding to temptation, their music and their magic. Penelope is the new role model, the loyal wife, one who respects the vows.</image:caption>
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      <image:title>Epics of The Goddess: Psychology as a Science - Response: THE DISCOVERY OF MASTERY (Copy)</image:title>
      <image:caption>Response: THE DISCOVERY OF MASTERY Penelope is the heroine of the second Homeric Epic, the Odyssey because she resisted the advances of multiple suitors. The Greek family as portrayed on Olympus was conflicted as men like Zeus pursued women, which upset his wife Hera. Greek tragedies have as titles the names of women.</image:caption>
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      <image:title>Epics of The Goddess: Psychology as a Science - ANXIETY: THE DISCOVERY OF COOPERATION BETWEEN MEN AND WOMEN, BY MEN CONTROLLING DESIRES.  (Copy)</image:title>
      <image:caption>ANXIETY: THE DISCOVERY OF COOPERATION BETWEEN MEN AND WOMEN, BY MEN CONTROLLING DESIRES. The Upanishads present the Moon Goddess, the sacred cows, Kali, as powerful women commanding respect and awe. Shiva is portrayed stepping on a demon, his inner child, the one that gets us in trouble with selfish desires; this image defines cooperation, the second principle of conflict resolution. Man has become a cog on the wheel of fortune instead of being the total wheel as he was in Greece.</image:caption>
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      <image:title>Epics of The Goddess: Psychology as a Science - ANXIETY: THE DISCOVERY OF COOPERATION BETWEEN MEN AND WOMEN, BY MEN CONTROLLING DESIRES.  (Copy)</image:title>
      <image:caption>ANXIETY: THE DISCOVERY OF COOPERATION BETWEEN MEN AND WOMEN, BY MEN CONTROLLING DESIRES. The Upanishads present the Moon Goddess, the sacred cows, Kali, as powerful women commanding respect and awe. Shiva is portrayed stepping on a demon, his inner child, the one that gets us in trouble with selfish desires; this image defines cooperation, the second principle of conflict resolution. Man has become a cog on the wheel of fortune instead of being the total wheel as he was in Greece.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1410552208958-OZTJHIJYC7JZ60RNZ4BX/india_1.png</image:loc>
      <image:title>Epics of The Goddess: Psychology as a Science - ANXIETY: THE DISCOVERY OF COOPERATION BETWEEN MEN AND WOMEN, BY MEN CONTROLLING DESIRES.  (Copy)</image:title>
      <image:caption>ANXIETY: THE DISCOVERY OF COOPERATION BETWEEN MEN AND WOMEN, BY MEN CONTROLLING DESIRES. Anxiety is the phase of a powerful six armed woman, Kali, portrayed by three huge wheels, the moon waxing and waning.</image:caption>
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      <image:title>Epics of The Goddess: Psychology as a Science - ANXIETY:  BUDDHISM PRESENTS THE  MOON GODDESS THE SACRED COWS, KALI AS POWERFUL WOMEN COMMANDING RESPECT AND AWE. (Copy)</image:title>
      <image:caption>ANXIETY: BUDDHISM PRESENTS THE MOON GODDESS THE SACRED COWS, KALI AS POWERFUL WOMEN COMMANDING RESPECT AND AWE. Buddhism is the religion of cooperation. Its four noble truths are: Life is pain, desire increases pain; cessation of desire ends pain; to avoid desire follow the eightfold path of enlightenment, as meditation and moderation.  </image:caption>
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      <image:title>Epics of The Goddess: Psychology as a Science - DEFENSE: ANXIETY IS COUNTERED BY ACTION AS A ROLE REVERSAL BETWEEN MEN AND WOMEN IN A COOPERATIVE CULTURE.   (Copy)</image:title>
      <image:caption>DEFENSE: ANXIETY IS COUNTERED BY ACTION AS A ROLE REVERSAL BETWEEN MEN AND WOMEN IN A COOPERATIVE CULTURE. Defense is presented as men emerging to power, while women are portrayed as loosing it in the cultures of China and Japan. Men grew to become fire breathing dragons and Sun-gods. Women are disabled in their mobility in China, while in Japan, they were given roles of subservience to men as diminutive compliant geishas.</image:caption>
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      <image:title>Epics of The Goddess: Psychology as a Science - DEFENSE: ANXIETY IS COUNTERED BY ACTION AS A ROLE REVERSAL BETWEEN MEN AND WOMEN IN A COOPERATIVE CULTURE.   (Copy)</image:title>
      <image:caption>DEFENSE: ANXIETY IS COUNTERED BY ACTION AS A ROLE REVERSAL BETWEEN MEN AND WOMEN IN A COOPERATIVE CULTURE. Defense is presented as men emerging to power, while women are portrayed as loosing it in the cultures of China and Japan. Men grew to become fire breathing dragons and Sun-gods. Women are disabled in their mobility in China, while in Japan, they were given roles of subservience to men as diminutive compliant geishas.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400626090010-35GUFI3BV2ZZOQSX1OJG/wilburton_028.jpg</image:loc>
      <image:title>Epics of The Goddess: Psychology as a Science - Reversal: The Gilgamish Epic presents mutual respect, Gilgamesh finding friendship with a father figure, Enkidu, the mythical superman.  (Copy)</image:title>
      <image:caption>Reversal: The Gilgamish Epic presents mutual respect, Gilgamesh finding friendship with a father figure, Enkidu, the mythical superman. Mesopotamia presents the failed quest for the third principle of conflict resolution, mutual respect.</image:caption>
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      <image:title>Epics of The Goddess: Psychology as a Science - COMPROMISE: The distrust of seductresses inspire Adam and Eve.  (Copy)</image:title>
      <image:caption>COMPROMISE: The distrust of seductresses inspire Adam and Eve. The Enkidu Gilgamish relationship inspired the biblical Father Son Covenant, a relationship of mutual respect between fathers and sons, an alliance that diminished women’s political power. Men could have more than one wife. Abraham continued Gilgamish’s battle reducing women’s power by taking a hammer against his father’s beautiful sculptures considering them as pagan idols in conflict with reverence of the One God.  Abraham focused on the new order, the process, Genesis the creation story, symbolized by a wheel, the periodic or cyclic phenomenon of the creation. This process has the characteristics of the creative process, the act of divine intervention.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400626010706-PNLE9YMWI5RQL59PU2P6/wilburton_143.jpg</image:loc>
      <image:title>Epics of The Goddess: Psychology as a Science - COMPROMISE: The distrust of seductresses inspire Adam and Eve.  (Copy)</image:title>
      <image:caption>COMPROMISE: The distrust of seductresses inspire Adam and Eve. The Abrahamic women were happy in their compliance but they could fight for their rights. Hagar escaped the threat of immolation with Ishmael in the desert. She is the woman as a Camel and her son, hostile to his sibling, while Sarah deferred to Abraham, a choice that killed her; while Abraham was in the process of staging the ultimate sacrifice, Sarah passed away.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400626063566-Y8J0K4LG4KENPJFR4HY0/wilburton_009.jpg</image:loc>
      <image:title>Epics of The Goddess: Psychology as a Science - COMPROMISE: The distrust of seductresses inspire Adam and Eve.  (Copy)</image:title>
      <image:caption>COMPROMISE: The distrust of seductresses inspire Adam and Eve. Naomi is the free woman that obeys Ruth, her mother in law, telling her ‘I will go wherever you go.’ Ruth is the caring mother who gives permission to her daughter in law to find a new husband.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400625994699-6IYCZGNUXFUS669N2YOI/wilburton_147.jpg</image:loc>
      <image:title>Epics of The Goddess: Psychology as a Science - COMPROMISE: The distrust of seductresses inspire Adam and Eve.  (Copy)</image:title>
      <image:caption>COMPROMISE: The distrust of seductresses inspire Adam and Eve. Virgin Mary sacrificed her sexuality and her son for the love of God. This Messianic woman is an angel compared to Quatlique, the monster woman, who in the beginning of the trail seeks human live sacrifices. The cycle of the epics of the Goddess completes the transformation of conflicts between men and women as women surrender the power over their sexuality, and over their children, sacrificing their political role in that society.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400626037165-K3LLZKDWVP2TWJPXK3E9/wilburton_008.jpg</image:loc>
      <image:title>Epics of The Goddess: Psychology as a Science - COMPROMISE: The distrust of seductresses inspire Adam and Eve.  (Copy)</image:title>
      <image:caption>COMPROMISE: The distrust of seductresses inspire Adam and Eve. Virgin Mary sacrificed her sexuality and her son for the love of God. This Messianic woman is an angel compared to Quatlique, the monster woman, who in the beginning of the trail seeks human live sacrifices. The cycle of the epics of the Goddess completes the transformation of conflicts between men and women as women surrender the power over their sexuality, and over their children, sacrificing their political role in that society.</image:caption>
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      <image:title>Epics of The Goddess: Psychology as a Science</image:title>
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      <image:title>Epics of The Goddess: Psychology as a Science - REVERSAL: Messianic Religion and Women's Revolution   (Copy)</image:title>
      <image:caption>REVERSAL: Messianic Religion and Women's Revolution Reversal, women’s revolution in Virtual Jerusalem In the center is a gathering place of men talking about the law. Peripherally, on the ramparts of Jerusalem, are women protesting.  The sculptures represent the uprising of women in Hellenized Jerusalem. The Greco Roman influence undermined the traditional Judaic role of women leading to their rebellion, requesting rights for themselves. One sculpture of a woman features a banner “Girls are as good as boys”.  Another woman with a child thinks, “God is not with the father and the son, but with the mother and the child” The messianic religion changed the balance of power in the family relations pitting Judaism as the Father Son vs. messianic Mother and Child relationships.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400627019746-OLADJUND1WDQWQ46GXT5/wilburton_219.jpg</image:loc>
      <image:title>Epics of The Goddess: Psychology as a Science - REVERSAL: Messianic Religion and Women's Revolution   (Copy)</image:title>
      <image:caption>REVERSAL: Messianic Religion and Women's Revolution Reversal, women’s revolution in Virtual Jerusalem In the center is a gathering place of men talking about the law. Peripherally, on the ramparts of Jerusalem, are women protesting. The sculptures represent the uprising of women in Hellenized Jerusalem. The Greco Roman influence undermined the traditional Judaic role of women leading to their rebellion, requesting rights for themselves. One sculpture of a woman features a banner “Girls are as good as boys”.  Another woman with a child thinks, “God is not with the father and the son, but with the mother and the child” The messianic religion changed the balance of power in the family relations pitting Judaism as the Father Son vs. messianic Mother and Child relationships.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400626972796-JPBGI8X8DHZECXV7D3D7/wilburton_221.jpg</image:loc>
      <image:title>Epics of The Goddess: Psychology as a Science - REVERSAL: Messianic Religion and Women's Revolution   (Copy)</image:title>
      <image:caption>REVERSAL: Messianic Religion and Women's Revolution Reversal, women’s revolution in Virtual Jerusalem In the center is a gathering place of men talking about the law. Peripherally, on the ramparts of Jerusalem, are women protesting. The sculptures represent the uprising of women in Hellenized Jerusalem. The Greco Roman influence undermined the traditional Judaic role of women leading to their rebellion, requesting rights for themselves. One sculpture of a woman features a banner “Girls are as good as boys”.  Another woman with a child thinks, “God is not with the father and the son, but with the mother and the child” The messianic religion changed the balance of power in the family relations pitting Judaism as the Father Son vs. messianic Mother and Child relationships.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/537bb9fee4b06a26c3da4a0e/1400626946939-NZXM9007PGI0JP7T60CZ/wilburton_223.jpg</image:loc>
      <image:title>Epics of The Goddess: Psychology as a Science - Compromise: Birds of Paradise  (Copy)</image:title>
      <image:caption>Compromise: Birds of Paradise Compromise, THE DISCOVERY OF MUTUAL RESPECT IN THE MAN, WOMAN, AND CHILD RELATIONSHIP, completes the unfinished business of the monotheistic religions; it reconciles the three scriptures by introducing the formal operation of mutual respect in the relationship between men and women.</image:caption>
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      <image:title>Epics of The Goddess: Psychology as a Science</image:title>
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  </url>
  <url>
    <loc>https://www.museumofthecreativeprocess.com/our-curriculum</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-11-05</lastmod>
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  <url>
    <loc>https://www.museumofthecreativeprocess.com/instituteofconflictanalysis</loc>
    <changefreq>daily</changefreq>
    <priority>1.0</priority>
    <lastmod>2025-12-07</lastmod>
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      <image:caption>Melissa Levis with Aphrodite</image:caption>
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